Mouse Mat : Philip Melancthon

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Philip Melancthon

Philip Melancthon (Schwarzerd) 1497 - 1560, German Protestant reformer. 18th century engraving after original likeness by Durer

Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide

Media ID 9700603

© Universal History Archive

18th Century Beard Durer Ellipse Head And Shoulders Illustration Techniques Looking Away One Man Only Profile Protestantism Western Script Philip Melancthon

Mouse Mat

A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 16.7cm x 25.4cm (6.6" x 10")

Estimated Product Size is 21.8cm x 26.9cm (8.6" x 10.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

EDITORS COMMENTS
This 18th-century engraving showcases the esteemed figure of Philip Melancthon, a prominent German Protestant reformer. The portrait, based on an original likeness by the renowned artist Durer, exudes a sense of depth and history. Melancthon's profile is captured in exquisite detail, with his piercing gaze looking away into the distance. The image highlights Melancthon's significant role in shaping Christianity during this era. As one of the key figures in the Protestant Reformation movement, he played a crucial part in challenging traditional religious practices and advocating for reform within the church. The studio shot emphasizes Melancthon's intellectual demeanor and commitment to his beliefs. His long beard adds to his distinguished appearance while symbolizing wisdom and maturity. Presented vertically within an elegant ellipse frame, this engraved image demonstrates exceptional illustration techniques prevalent during that time. This print serves as a visual testament to both artistry and historical significance. It transports us back to an era when Western script was flourishing alongside religious debates that shaped our understanding of faith today

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