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Mouse Mat : Jerusalem from Civitates Orbis Terrarum by Georg Braun, 1541-1622 and Franz Hogenberg, 1540-1590, engraving
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Jerusalem from Civitates Orbis Terrarum by Georg Braun, 1541-1622 and Franz Hogenberg, 1540-1590, engraving
Cartography, Israel and Palestine, 16th century. Jerusalem. From Civitates Orbis Terrarum by Georg Braun (1541-1622) and Franz Hogenberg (1540-1590), Cologne. Engraving
Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide
Media ID 9571309
© DEA / A. DAGLI ORTI
16th Century Elevated View Israel Jerusalem Latin Script Manuscript Surrounding Wall Townscape
Mouse Mat
A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 25.4cm x 21.8cm (10" x 8.6")
Estimated Product Size is 26.9cm x 21.8cm (10.6" x 8.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print takes us back in time to the 16th century, offering a glimpse into the ancient city of Jerusalem. The engraving, created by Georg Braun and Franz Hogenberg, showcases their remarkable talent in capturing the essence of this historic place. The image presents an elevated view of Jerusalem, revealing its intricate townscape and physical geography. The surrounding wall that encloses the city is prominently featured, emphasizing its significance as a protective barrier for centuries. As we explore further, we are drawn to the exquisite details found within this artwork. Through careful observation, one can appreciate the meticulous craftsmanship involved in creating this piece. Every stroke on paper brings life to each building and street corner depicted here. This engraving serves not only as a historical document but also as a work of art. As we delve deeper into this visual narrative, it becomes evident that human representation is absent from this scene. However, their absence does not diminish our connection with Jerusalem's rich history and cultural heritage. The Latin script accompanying this image adds another layer of authenticity to its overall composition. It reminds us that these engravings were part of a larger project known as Civitates Orbis Terrarum - an ambitious atlas documenting cities around the world during that era. In conclusion, through Universal Images Group (UIG), we have been granted access to witness Jerusalem's splendor frozen in time through Braun and Hogenberg's masterful engraving technique. This print allows us to appreciate both its artistic value
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