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Mouse Mat : Cartoon, Dizzy and His Constituent
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Cartoon, Dizzy and His Constituent
Cartoon, Dizzy and His Constituent -- a satirical comment on the way in which Benjamin Disraeli could butter up his Buckinghamshire constituents in his speeches. Date: 1858
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Media ID 23358506
© Mary Evans Picture Library
1850s 1858 Benjamin Butter Comment Conservative Conservatives Depiction Disraeli Flattery Politicians Power Satire Satirical Symbolic Symbolism Tory Pomade
Mouse Mat
A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.8cm x 25.4cm (7" x 10")
Estimated Product Size is 21.8cm x 26.9cm (8.6" x 10.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This satirical cartoon, titled 'Cartoon, Dizzy and His Constituent,' dates back to 1858, during the Victorian era in Britain. The image depicts Benjamin Disraeli, a prominent Conservative politician and future Prime Minister, engaging in a theatrical display of flattery towards his Buckinghamshire constituents. Disraeli is shown in the foreground, wearing a top hat and holding a jar of pomade, symbolizing his attempt to "butter up" his audience with empty promises and sweet words. His constituent, a common man in working clothes, is depicted with a skeptical expression, holding out a piece of bread as if to test the authenticity of Disraeli's gestures. The cartoon is a commentary on the political climate of the time, where politicians relied heavily on the support of their constituents to maintain power. Disraeli's use of flattery and symbolic gestures is depicted as a shallow and insincere attempt to win favor, rather than a genuine connection with the people. The image is rich in symbolism, with the jar of pomade representing the superficial nature of Disraeli's efforts, and the bread symbolizing the basic needs and concerns of the common man. The overall effect is a biting satire that exposes the political manipulation and superficiality of the time. This cartoon is a fascinating glimpse into the political landscape of 19th century Britain, and serves as a reminder of the importance of authenticity and sincerity in politics. It also highlights the power of satire as a tool for social commentary and critique.
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