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Mouse Mat : Lady St. Oswald, previously Evie Carew

Lady St. Oswald, previously Evie Carew



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Lady St. Oswald, previously Evie Carew

Evie Carew Greene, an actress at Dalys Theatre, who married She married Rowland George Winn, 3rd Baron Saint Oswald of Nostell in October 1915 and became Lady St. Oswald. Her portrait was published in The Bystander under the title, From Dalys to Berkeley Square. Date: 1919

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14171580

© Illustrated London News Ltd/Mary Evans

Actresses Aristocracy Carew Evie Greene Oswald


Mouse Mat

A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 17.4cm x 25.4cm (6.9" x 10")

Estimated Product Size is 21.8cm x 26.9cm (8.6" x 10.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> Europe > United Kingdom > England > London > Art > Theatre


EDITORS COMMENTS
This striking portrait captures the elegant transformation of Evie Carew, once a renowned actress gracing the stages of Daly's Theatre, into Lady St. Oswald, wife of the 3rd Baron Saint Oswald of Nostell. Taken in 1919, the image beautifully illustrates the allure of the aristocracy and the captivating world of high society. Born as Evie Carew Greene, the actress rose to prominence in the theatrical scene, mesmerizing audiences with her talent and charm. However, her life took an unexpected turn when she married Rowland George Winn, the esteemed Baron Saint Oswald, in October 1915. The union between the actress and the aristocrat was a sensation, with the press eagerly documenting the transition from the bright lights of the theatre to the hallowed halls of Berkeley Square. In this portrait, Lady St. Oswald exudes an air of refinement and grace, a testament to her new status and the elegance of the aristocratic world she now inhabited. The image, published in The Bystander under the title 'From Dalys to Berkeley Square,' serves as a poignant reminder of the enduring allure of the past and the captivating stories that lie within the annals of history.

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