Mouse Mat : ON THE MISSISQUOI. Thomas Moran (February 12, 1837 a August 25, 1926) from Bolton
Home Decor from Liszt Collection
ON THE MISSISQUOI. Thomas Moran (February 12, 1837 a August 25, 1926) from Bolton
ON THE MISSISQUOI. Thomas Moran (February 12, 1837 a August 25, 1926) from Bolton, England was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Missisquoi River is a tributary of Lake Champlain, approximately 80 mile (130 km) long, in northern Vermont in the United States and southern Quebec in Canada
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12831665
© Quint Lox Limited
1837 1926 August 25 Bolton Canada February 12 Hudson River School Lake Champlain Painter Printmaker Rocky Mountains Thomas Moran Southern Quebec
Mouse Mat
A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 21.8cm x 25.4cm (8.6" x 10")
Estimated Product Size is 21.8cm x 26.9cm (8.6" x 10.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This 19th-century engraving, titled "ON THE MISSISQUOI" by Thomas Moran, takes us on a visual journey through the scenic beauty of the Missisquoi River. Born in Bolton, England, Moran became renowned as an American painter and printmaker associated with the Hudson River School in New York. His artistic style often centered around majestic landscapes like the Rocky Mountains. In this particular piece, Moran showcases his illustrative technique to depict the tranquil charm of the Missisquoi River. The river itself is a tributary of Lake Champlain and stretches approximately 80 miles across northern Vermont in the United States and southern Quebec in Canada. The engraved image transports us back to a bygone era, evoking a sense of nostalgia with its vintage appeal. Its retro-styled aesthetic perfectly captures the essence of 19th-century artistry and Victorian culture. As we gaze upon this print from Liszt Collection's archives, we are reminded of how art can transcend time and space. It serves as a testament to both Moran's talent as an artist and his ability to immortalize natural wonders through his work. Whether displayed in homes or galleries, this enchanting engraving invites viewers to immerse themselves in its historical significance while appreciating its timeless beauty.
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