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Mouse Mat : Sharugon Monastery, Tibet, 1928. Artist: Roerich, Nicholas (1874-1947)

Sharugon Monastery, Tibet, 1928. Artist: Roerich, Nicholas (1874-1947)



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Sharugon Monastery, Tibet, 1928. Artist: Roerich, Nicholas (1874-1947)

Sharugon Monastery, Tibet, 1928. From a private collection

Heritage Images features heritage image collections

Media ID 14892532

© Fine Art Images

Himalayas Nicholas 1874 1947 Nicholas Roerich Rerich Roerich Tempera On Canvas Tibet Symbolism


Mouse Mat

A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 25.4cm x 20.7cm (10" x 8.1")

Estimated Product Size is 26.9cm x 21.8cm (10.6" x 8.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Architecture > Country > Russia

> Architecture > Related Images

> Architecture > Styles > Russian Architecture

> Arts > Art Movements > Landscapes

> Arts > Artists > Related Images

> Arts > Fine Art

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings > Landscape art

> Arts > Still life artwork > Landscape paintings > Architectural paintings

> Arts > Portraits > Landscape paintings > Fine art gallery


EDITORS COMMENTS
This print of "Sharugon Monastery, Tibet, 1928" by the renowned artist Nicholas Roerich takes us on a visual journey to the mystical land of Tibet. The painting, created with tempera on canvas, showcases Roerich's exceptional talent in capturing the essence of this sacred place. The Sharugon Monastery stands tall and majestic amidst the breathtaking Himalayan landscape. Its intricate architecture is beautifully depicted, showcasing the unique blend of Tibetan and Russian influences that Roerich was known for incorporating into his artwork. The monastery's interior is adorned with vibrant colors and ornate details that reflect its spiritual significance. Roerich's use of symbolism adds another layer of depth to this fine art piece. Each brushstroke seems to convey a deeper meaning, inviting viewers to contemplate their own connection with spirituality and nature. Through his masterful technique, Roerich transports us to a realm where time stands still and inner peace can be found. This particular print hails from a private collection, making it even more special as it offers an intimate glimpse into Roerich's artistic vision during his travels through Tibet in 1928. It serves as a testament to his enduring legacy as one of Russia's most celebrated painters.

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