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Mouse Mat : Landowner giving the Paschal greeting to her peasants, Russia, 1890s
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Landowner giving the Paschal greeting to her peasants, Russia, 1890s
Landowner giving the Paschal greeting to her peasants, Russia, 1890s. The Paschal greeting is an Easter tradition in some Christian churches, including the Eastern Orthodox Church. Instead of saying hello, a person greets another with the greeting Christ is Risen!. The person being greeted responds by saying Truly, He is Risen. In Russia it is also traditional to exchange a triple kiss on alternating cheeks after the greetings are exchanged. From a private collection
Heritage Images features heritage image collections
Media ID 14886834
© Fine Art Images
Archive Photos Blouse Easter Greeting Kiss Kissing Landowner Peasant Peasants Russian Orthodox Skirt Tradition Paschal
Mouse Mat
A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 25.4cm x 17.1cm (10" x 6.7")
Estimated Product Size is 26.9cm x 21.8cm (10.6" x 8.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a poignant moment in rural Russia during the 1890s. The image showcases a landowner graciously giving the Paschal greeting to her peasants, emphasizing the significance of Easter traditions within the Eastern Orthodox Church. Instead of a conventional hello, this heartfelt exchange involves greeting one another with the powerful words "Christ is Risen!". The response, "Truly, He is Risen" echoes throughout the countryside. The photograph also reveals an intriguing cultural custom as it depicts both men and women engaging in a triple kiss on alternating cheeks after exchanging greetings. This traditional gesture symbolizes unity and camaraderie among these individuals despite their differing social statuses. Amidst this scene lies an underlying contrast between wealth and poverty, as represented by the elegant attire of the landowner juxtaposed against the simple clothing worn by her humble peasants. It serves as a reminder of societal divisions prevalent during that era. Preserved from a private collection, this monochrome snapshot offers us an intimate glimpse into Russian rural life at its core – deeply rooted in religious devotion, tradition, and interconnectedness.
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