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The Irish Ogre Fattening on the Finest Pisantry, 1843



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The Irish Ogre Fattening on the Finest Pisantry, 1843

The Irish Ogre Fattening on the Finest Pisantry, 1843. Daniel O Connell (1775-1847) The Liberator, leader of the Repeal (of union with Britain) movement, shown growing fat on his supporters. Cartoon from Punch. (London, 1843)

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Media ID 14844672

© Ann Ronan Picture Library / Heritage-Images

Club Daniel Daniel Oconnell Eating Exploitation Gluttony Illness Independence Ireland Irish Ladle Leader Obese Oconnell Ogre Propaganda Soup Ann Ronan Pictures


Mouse Mat

A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 25.4cm x 21.8cm (10" x 8.6")

Estimated Product Size is 26.9cm x 21.8cm (10.6" x 8.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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The Irish Ogre Fattening on the Finest Pisantry, 1843

EDITORS COMMENTS
is a powerful political cartoon that encapsulates the turbulent relationship between Ireland and Britain in the 19th century. Created by Daniel O'Connell, this satirical engraving depicts O'Connell himself as an obese ogre, feasting upon his own supporters who are symbolized as bowls of soup. O'Connell, known as "The Liberator" was a prominent leader of the Repeal movement which sought to end British rule over Ireland. However, this cartoon portrays him as a gluttonous figure exploiting his followers for personal gain. The ladle he wields represents his control over their fate and highlights the concept of exploitation within politics. The artist's use of caricature exaggerates O'Connell's physical appearance to emphasize not only his greed but also his ill health due to excessive indulgence. This portrayal serves as both a critique of O'Connell's leadership style and a commentary on the state of Irish independence at that time. Through its black and white monochrome palette, this print captures the stark realities faced by Ireland during this period. It reflects the struggles endured by ordinary people while their leaders seemingly thrived off their support. "The Irish Ogre Fattening on the Finest Pisantry" stands as a testament to how political propaganda can shape public perception and expose underlying tensions within society. It serves as a reminder that even those fighting for freedom can succumb to corruption and lose sight of

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