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Mouse Mat : Ancient Temple at Hulwud, 1826. Artist: William Frederick Witherington
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Ancient Temple at Hulwud, 1826. Artist: William Frederick Witherington
Ancient Temple at Hulwud, 1826. The temple is dedicated to Shiva in his role of regenerator. In the foreground is a step-well
Heritage Images features heritage image collections
Media ID 14867758
© Art Media / Heritage-Images
Chamber Elephant Hinduism Regeneration Reservoir Retreat Shiva Subterranean William Frederick Grindlay Robert Melville Grindlay Witherington
Mouse Mat
A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 25.4cm x 21.8cm (10" x 8.6")
Estimated Product Size is 26.9cm x 21.8cm (10.6" x 8.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Ancient Temple at Hulwud, 1826" takes us back to the enchanting world of 19th-century India. Painted by the talented artist William Frederick Witherington, this masterpiece showcases a magnificent temple dedicated to Shiva in his regenerator form. The vibrant colors and intricate details bring life to every corner of the image. In the foreground, we are drawn towards a step-well that adds an element of mystery and depth to the composition. As our eyes wander further, we notice a majestic elephant statue standing proudly near the entrance of the temple. This symbolizes strength and power within Hinduism. The temple itself is a sight to behold with its grand architecture and serene surroundings. It exudes an aura of spirituality and tranquility, inviting visitors on a spiritual journey or retreat. Through this artwork, Witherington beautifully captures not only the physical aspects but also conveys deeper concepts such as regeneration and subterranean chambers associated with Shiva worship. As we admire this print, it transports us back in time when British artists like Witherington were fascinated by ancient Indian culture. It serves as a reminder of how art can bridge cultural gaps and preserve historical moments for generations to come.
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