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Mouse Mat : The Archangel Gabriel, c. 1430 (tempera on panel)
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The Archangel Gabriel, c. 1430 (tempera on panel)
XOS741915 The Archangel Gabriel, c. 1430 (tempera on panel) by Masolino da Panicale, Tommaso (1383-c.1447); 76.6 x 57.8 cm; National Gallery of Art, Washington DC, USA; Italian, out of copyright
Media ID 12817301
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Mouse Mat
A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 21.8cm x 25.4cm (8.6" x 10")
Estimated Product Size is 21.8cm x 26.9cm (8.6" x 10.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases Masolino da Panicale's masterpiece, "The Archangel Gabriel" created around 1430. Painted with tempera on panel, this exquisite artwork measures 76.6 x 57.8 cm and is currently housed in the prestigious National Gallery of Art in Washington DC, USA. In this Renaissance-era painting, we witness the divine presence of the Archangel Gabriel himself. With his majestic wings outstretched and a radiant halo encircling his head, he stands as an ethereal messenger between heaven and earth. Gabriel's serene countenance exudes grace and purity as he prepares to deliver a momentous message—the Annunciation—to the Virgin Mary. This pivotal event marked the beginning of Christ's earthly journey and holds immense significance within Christian tradition. Masolino da Panicale masterfully captures Gabriel's celestial essence through delicate brushwork and vibrant colors that bring life to every detail. The artist's meticulous attention to light and shadow further enhances the angelic aura surrounding this iconic figure. As we gaze upon this timeless artwork, we are transported back in time to witness a pivotal moment in religious history—a testament to both Masolino da Panicale's artistic genius and our collective human fascination with spirituality.
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