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Mouse Mat : The Annunciation, c. 1860 (stained glass)
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The Annunciation, c. 1860 (stained glass)
3474717 The Annunciation, c.1860 (stained glass) by Burne-Jones, Edward Coley (1833-98); St.Columbas Church, Topcliffe, North Yorkshire, UK; (add.info.: Manufactured by Lavers & Barraud
adapted from William Burges, Butterfield); eAlastair Carew-Cox; English, out of copyright
Media ID 22726796
© Alastair Carew-Cox / Bridgeman Images
Annunciation Bright Church Window Dove Gothic Revival Gothick Neo Gothic Roses Stained Glass Window Victorian Gothic Ecclesiastical Pre Raphaelite
Mouse Mat
A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 21.8cm x 25.4cm (8.6" x 10")
Estimated Product Size is 21.8cm x 26.9cm (8.6" x 10.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "The Annunciation, c. 1860" a stunning stained glass window created by the renowned artist Edward Coley Burne-Jones. Located in St. Columbas Church, Topcliffe, North Yorkshire, UK, this masterpiece is a true testament to the beauty of religious art. Manufactured by Lavers & Barraud and adapted from William Burges' design with elements by Butterfield, this neo-gothic creation is a harmonious blend of intricate details and vibrant colors. The image captures a momentous scene as depicted in Christian tradition - the angel Gabriel announcing to the Virgin Mary that she will conceive and give birth to Jesus. In this mesmerizing composition, we see Mary kneeling gracefully amidst an enchanting garden filled with blooming flowers and roses. A dove hovers above her head symbolizing purity while adding an ethereal touch to the artwork. The pre-Raphaelite influence is evident through its meticulous attention to botanical accuracy and naturalistic depiction of flora. With its Victorian gothic revival style, this stained glass window exemplifies British art at its finest. Its bright hues and exquisite craftsmanship make it a visual delight for both art enthusiasts and devotees alike. Through Alastair Carew-Cox's lens, we are able to appreciate every intricate detail of this remarkable piece without losing any essence or charm. This print serves as a timeless reminder of the profound impact that religious art can have on our souls.
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