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Mouse Mat : A Type of Rome Past, Gasperone and his Comrades, the Released Brigands (engraving)
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A Type of Rome Past, Gasperone and his Comrades, the Released Brigands (engraving)
1057477 A Type of Rome Past, Gasperone and his Comrades, the Released Brigands (engraving) by Green, Charles (1840-98) (after); Private Collection; (add.info.: A Type of Rome Past, Gasperone and his Comrades, the Released Brigands. Illustration for The Graphic, 1871.); Look and Learn / Illustrated Papers Collection
Media ID 23026088
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Celebrations Comrades Criminals Type
Mouse Mat
A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 21.8cm x 25.4cm (8.6" x 10")
Estimated Product Size is 21.8cm x 26.9cm (8.6" x 10.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this engraving titled "A Type of Rome Past, Gasperone and his Comrades, the Released Brigands" artist Charles Green takes us back to a tumultuous era in Italy's history. The print showcases a group of notorious criminals known as brigands who were once imprisoned but have now been released. The scene is set in Rome, with its iconic landmarks serving as a backdrop for this intriguing narrative. Gasperone and his comrades stand proudly at the forefront, their rugged appearances reflecting their troubled pasts. Their expressions exude defiance and resilience, hinting at the hardships they endured during their time behind bars. This artwork offers a glimpse into an Italy that was grappling with lawlessness and social unrest. It serves as a reminder of the challenges faced by Italian society during that period and highlights the complex nature of criminality within European history. As we observe these figures against the backdrop of Rome's rich heritage, we are reminded that even amidst chaos and turmoil, beauty can still be found. The presence of the Italian flag subtly suggests hope for unity and progress in overcoming such challenges. Green's masterful engraving captures not only historical accuracy but also evokes emotions within viewers. It invites us to reflect on our own understanding of justice, redemption, and societal transformation – themes that remain relevant today despite being rooted in Rome's past.
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