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Mouse Mat : The Lamentation of Christ, 1510 / 20 (panel)
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The Lamentation of Christ, 1510 / 20 (panel)
XAM71648 The Lamentation of Christ, 1510/20 (panel) by Savoldo, Giovanni Girolamo (c.1480-p.1548); 72.5x118.5 cm; Kunsthistorisches Museum, Vienna, Austria
Media ID 25171608
© Bridgeman Images
Apostles Aspostles Deposition From The Cross Lamentation Pieta Saint John Saint Peter Schroud Stigmata Three Maries Three Marys Apostle Blessed Virgin Cinquecento Mourning
Mouse Mat
A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 25.4cm x 15.1cm (10" x 5.9")
Estimated Product Size is 26.9cm x 21.8cm (10.6" x 8.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of Giovanni Girolamo Savoldo's masterpiece, "The Lamentation of Christ". Painted between 1510 and 1520, this panel artwork measures 72.5x118.5 cm and is housed in the prestigious Kunsthistorisches Museum in Vienna, Austria. In this poignant scene from the Bible, we witness the profound grief and mourning following Jesus Christ's crucifixion. The three Marys - Saint Peter, Blessed Virgin Mary, and Saint John - along with other apostles gather around their beloved savior's lifeless body. Their faces etched with sadness and lamentation as they contemplate his untimely death. Savoldo expertly portrays each character's emotions through intricate brushwork and delicate shading techniques that epitomize Renaissance artistry. The composition exudes a sense of tranquility despite the overwhelming sorrow depicted on every face. The painting also alludes to significant religious themes such as stigmata (the wounds inflicted upon Jesus during his crucifixion), Christian devotion, pieta (Mary cradling her son after his descent from the cross), and biblical narratives surrounding Jesus' burial. As we gaze upon this remarkable piece of Italian Cinquecento art, we are transported back to a time when faith was at its core. It serves as a powerful reminder of humanity's capacity for love, sacrifice, and resilience even in times of great loss.
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