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Mouse Mat : Belle Chrystall and Niall MacGinnis in Michael Powells The Edge of the World (1938)
Home Decor from British Film Institute
Belle Chrystall and Niall MacGinnis in Michael Powells The Edge of the World (1938)
Belle Chrystall and Niall MacGinnis
The British Film Institute (BFI) are UK's lead organisation for film, television and the moving image
Media ID 1956293
© This image is out of copyright
Mouse Mat
A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 21.8cm x 25.4cm (8.6" x 10")
Estimated Product Size is 21.8cm x 26.9cm (8.6" x 10.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this black and white still from Michael Powell's iconic film "The Edge of the World" (1938), we are transported to the rugged beauty of a remote Scottish island. The photograph features Belle Chrystall and Niall MacGinnis, two talented actors who bring their characters to life with remarkable authenticity. Dressed in a cozy wool jumper, Belle Chrystall exudes an air of resilience and determination. Her piercing gaze reflects both strength and vulnerability, hinting at the challenges that lie ahead for her character in this gripping tale. Standing beside her is Niall MacGinnis, whose rugged appearance perfectly complements the untamed landscape surrounding them. As we delve into the narrative of "The Edge of the World" it becomes clear that this image captures not only a moment frozen in time but also serves as a metaphor for humanity's constant struggle against nature's unforgiving forces. The windswept cliffs behind them symbolize both isolation and freedom, while waves crashing against jagged rocks remind us of our insignificance in comparison to Mother Nature. This print by BFI Stills Posters & Designs transports us back to an era when storytelling relied on raw emotions conveyed through powerful performances rather than flashy special effects. It serves as a reminder that cinema has always been about capturing authentic human experiences – triumphs, heartaches, and everything in between – all within one frame.
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