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Mounted Print : One of 216 smiling sandstone faces at 12th century Bayon, King Jayavarman VIIs last

One of 216 smiling sandstone faces at 12th century Bayon, King Jayavarman VIIs last



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One of 216 smiling sandstone faces at 12th century Bayon, King Jayavarman VIIs last

One of 216 smiling sandstone faces at 12th century Bayon, King Jayavarman VIIs last temple in Angkor Thom, Angkor, UNESCO World Heritage Site, Siem Reap, Cambodia, Indochina, Southeast Asia, Asia

Robert Harding Picture Library provides high quality travel, nature, wildlife & environmental photos

Media ID 18978063

© Robert Francis

12th Century Angkor Angkor Thom Angkor Wat Anthropomorphic Face Architectural Detail Bayon Bayon Temple Cambodia Cambodian Cambodian Culture Carved Face Indochina Old Ruins Remains Ruined Sandstone Siem Reap Siemreap Temple Complex Traditionally Cambodian Typically Cambodian Weathered


10"x8" Mount with 8"x6" Print

Discover the enchanting beauty and historical significance of the 12th century Bayon Temple in Angkor Thom, Cambodia, with our stunning Mounted Photos from Media Storehouse. This captivating image, captured by renowned photographer Rob Francis, showcases One of 216 smiling sandstone faces that adorn the temple's towers. Transport yourself to the heart of Angkor, a UNESCO World Heritage Site in Siem Reap, Indochina, and immerse yourself in the rich cultural heritage of Southeast Asia and Asia. Each Mounted Photo is expertly printed and mounted on high-quality materials, ensuring a beautiful and long-lasting addition to your home or office decor.

Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.

Photo prints supplied in custom cut card mount ready for framing

Estimated Image Size (if not cropped) is 13.5cm x 20.3cm (5.3" x 8")

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Styles > International Architecture

> Architecture > Temples

> Arts > Artists > C > Cambodian Cambodian

> Arts > Artists > P > Francis Place

> Asia > Cambodia > Cambodia Heritage Sites > Angkor

> Asia > Cambodia > Related Images

> Asia > Cambodia > Siem Reap

> Historic > Cultural festivals and traditions > Ancient cultural practices

> Historic > Cultural festivals and traditions > Centuries-old festivities

> Historic > Cultural festivals and traditions


EDITORS COMMENTS
This vibrant and captivating print captures the essence of ancient history at its finest. The image showcases one of the 216 smiling sandstone faces that adorn the magnificent Bayon temple, a testament to King Jayavarman VII's legacy in Angkor Thom, Cambodia. As you gaze upon this vertical composition, you are transported back in time to the 12th century when this architectural marvel was built. The intricate details of the face carved into the weathered stone tell stories of spirituality and devotion. This UNESCO World Heritage Site stands as a symbol of Cambodian culture and is revered by locals and tourists alike. The color image beautifully highlights the rich hues found within this historic site. With no people present, your focus is solely on the architectural detail and craftsmanship that went into creating such an awe-inspiring structure. Visiting this renowned landmark is like stepping into a different world - a world where old ruins hold secrets from centuries past. It serves as a reminder that even though time may have weathered these stones, their beauty remains intact. Rob Francis has skillfully captured not just an image but also a sense of wonderment in his photography. This piece invites you to explore new horizons and immerse yourself in cultural heritage while appreciating the magnificence of human ingenuity throughout history.

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