Mounted Print : Microcosm and macrocosm, 17th century C016 / 8927
Mounted Prints from Science Photo Library
Microcosm and macrocosm, 17th century C016 / 8927
Microcosm and macrocosm. 17th-century artwork titled Typus Sympathicus Microcosmi cum Megacosmo. The macrocosm and microcosm were central to medieval astrology: humans (the microcosm) reflected the larger universe (the macrocosm). Bodily organs are shown, along with zodiacal and planetary symbols. The dotted lines are labelled in Latin with the name of the body parts they point towards. The outer ring names various plants, diseases and foods. Artwork from the three-volume work Oedipus Aegyptiacus (1652-54) by German Jesuit scholar Athanasius Kircher (circa 1601-1680)
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 9245549
© ASIAN AND MIDDLE EASTERN DIVISION/NEW YORK PUBLIC LIBRARY/ SCIENCE PHOTO LIBRARY
1600s 17th Century Astrology Athanasius Kircher Book Diagram Diseases Foods German Jesuit Plants Publication Universe 1652 1654 Macrocosm Microcosm
10"x8" Mount with 8"x6" Print
Discover the intriguing connection between the microcosm and macrocosm with our stunning mounted photo from the Media Storehouse collection. This captivating 17th-century artwork, titled "Typus Sympathicus Microcosmi cum Megacosmo," is part of the Asian and Middle Eastern Division of the New York Public Library's Science Photo Library. This masterpiece illustrates the medieval astrological belief that the universe and the human body are interconnected, with the microcosm representing the individual and the macrocosm representing the universe. Add this thought-provoking piece to your home or office decor and ignite conversations about the wonders of the universe and the human body.
Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.
Photo prints supplied in custom cut card mount ready for framing
Estimated Image Size (if not cropped) is 13.4cm x 20.3cm (5.3" x 8")
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This 17th-century artwork titled "Typus Sympathicus Microcosmi cum Megacosmo" explores the intricate relationship between the microcosm and macrocosm, as understood in medieval astrology. Created by German Jesuit scholar Athanasius Kircher, this illustration from his three-volume work "Oedipus Aegyptiacus" showcases a cosmic man representing the universe and a human figure symbolizing humanity. In this monochrome print, we see various bodily organs alongside zodiacal and planetary symbols. The dotted lines are labeled in Latin with the names of body parts they point towards, providing an anatomical perspective. Surrounding the figures is an outer ring that identifies different plants, diseases, and foods. The concept of microcosm and macrocosm suggests that humans reflect the larger universe; our bodies are seen as miniature representations of the cosmos. This belief was central to medieval astrology's understanding of how celestial bodies influence human health and behavior. Kircher's meticulous attention to detail highlights his dedication to merging scientific knowledge with artistic expression. Through this artwork, he invites viewers into a world where astronomy meets anatomy, seamlessly blending disciplines to deepen our understanding of both ourselves and our place within the vastness of existence. As we gaze upon this historical masterpiece captured by Science Photo Library at New York Public Library's Asian and Middle Eastern Division, we are reminded of humanity's enduring fascination with unraveling the mysteries of our own bodies while seeking connection with something greater than ourselves – a timeless pursuit that transcends cultural boundaries.
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