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Mounted Print : Marchioness of Londonderry at Londonderry House

Marchioness of Londonderry at Londonderry House



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Marchioness of Londonderry at Londonderry House

Edith Vane-Tempest-Stewart, Marchioness of Londonderry DBE (1878 - 1959), noted society hostess, and, during the First World War director of the Womens Legion (originally the WVR - Womens Volunteer Reserve), taking an interest in the Military Cooking Section. The magnificent Londonderry House in Park Lane was turned into a military hospital during the war, as were two of Lord Londonderrys country seats. Lady Londonderry was formerly Edith Helen Chaplin and married Charles Vane-Tempest-Stewart, Viscount Castlereagh in 1899. Pictured on the front cover of The Tatler, in the gowns and jewels she wore at the opening of Parliament. She is pictured in Londonderry House, standing in front of a Thomas Lawrence portrait of Robert, Viscount Castlereagh, later 2nd Marquess of Londonderry, wearing a diamond tiara, earrings, and stomacher which are heirlooms of the Londonderry family. Date: 1948

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23273704

© Illustrated London News Ltd/Mary Evans

Aristocracy Aristocrat Chaplin Diamond Diamonds Edith Jewels Lawrence Londonderry Marchioness Marquess Oct19 Peerage Regal Splendour Stately Stewart Tempest Tiara Vane


10"x8" Mount with 8"x6" Print

Introducing the exquisite range of Mounted Photos from Media Storehouse, featuring this captivating image of the Marchioness of Londonderry. This stunning portrait, sourced from Mary Evans Prints Online, showcases Edith Vane-Tempest-Stewart (1878-1959), an influential figure in British society and a key player during the First World War as the director of the Women's Legion. Bring a touch of history and elegance to your home or office with this beautifully mounted and preserved photograph, perfect for adding character and conversation to any space.

Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.

Photo prints supplied in custom cut card mount ready for framing

Estimated Image Size (if not cropped) is 14.7cm x 20.3cm (5.8" x 8")

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Mary Evans Prints Online > New Images August 2021

> Animals > Mammals > Muridae > House Mouse

> Arts > Artists > L > Thomas Lawrence

> Arts > Artists > R > Thomas Roberts

> Arts > Artists > S > Robert Stewart

> Europe > United Kingdom > England > London > Hospitals

> Europe > United Kingdom > Northern Ireland > Londonderry


EDITORS COMMENTS
In this striking photograph, Edith Helen Chaplin, Marchioness of Londonderry, is depicted in the grandeur of Londonderry House in Park Lane, London. The Marchioness, formerly Lady Edith Chaplin, had married Charles Vane-Tempest-Stewart, Viscount Castlereagh, in 1899, and later succeeded as Marchioness of Londonderry upon her husband's death in 1942. During the First World War, Londonderry House served as a military hospital, and the Marchioness took an active role in the war effort. She became the director of the Women's Legion, originally the Women's Volunteer Reserve, and showed particular interest in the Military Cooking Section. The Marchioness's dedication to the war effort was a testament to her strength and resilience, making her a respected figure in society. In this image, the Marchioness stands proudly in front of a Thomas Lawrence portrait of her husband, Robert, 2nd Marquess of Londonderry. She wears a magnificent diamond tiara, earrings, and stomacher, all of which are heirlooms of the Londonderry family. The splendour of her jewels and the regal atmosphere of the room add to the sense of grandeur and aristocratic tradition. The Marchioness's elegant appearance and the magnificent setting of Londonderry House are captured in this photograph, which was published in The Tatler in 1948. The image showcases the Marchioness's society status and her role as an aristocrat and peeress, making it a fascinating glimpse into the world of the British aristocracy during the post-war era.

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