Mounted Print : Ang Kauffmann / Payne
Mounted Prints from Mary Evans Picture Library
Ang Kauffmann / Payne
ANGELICA KAUFFMANN Swiss artist, resident in London (1766-81) and then in Rome Date: 1741 - 1807
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14281518
© Mary Evans Picture Library
1741 1766 1807 Angelica Curls Grapes Kauffmann Oval Payne Resident Ringlets Swiss Vine
10"x8" Mount with 8"x6" Print
Experience the timeless beauty of art with our Mounted Photos from Media Storehouse, featuring this exquisite portrait of Angelica Kauffmann by Rights Managed from Mary Evans Prints Online. Kauffmann, a Swiss artist who resided in London from 1766-81 and then in Rome until her death in 1807, was renowned for her portraits and historical paintings. Our high-quality mounted photos bring the intricate details and vibrant colors of this 1741 masterpiece to your home or office, making it a stunning addition to any decor. Embrace the rich history and artistic mastery with every glance.
Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.
Photo prints supplied in custom cut card mount ready for framing
Estimated Image Size (if not cropped) is 15.2cm x 18.8cm (6" x 7.4")
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Angelica Kauffmann's captivating self-portrait, dated around 1780, showcases the Swiss artist's exceptional skill and artistic versatility. Kauffmann, born in 1741 in Switzerland but based in London from 1766 to 1781 and later in Rome until her death in 1807, was a leading figure in the Neoclassical art movement. In this evocative oval print, Kauffmann is depicted with her chestnut curls cascading down her shoulders, framed by a wreath of vine leaves and grapes. The artist's expressive eyes, adorned with delicate ringlets, gaze intently at the viewer, inviting us into her world of history and mythology. Kauffmann's mastery of technique is evident in the intricate details of her self-portrait, from the delicate folds of her robe to the lifelike rendering of her curls and the naturalistic depiction of the foliage. Her mastery of the Neoclassical style is also on full display, with its emphasis on idealized forms, historical subjects, and a sense of timeless beauty. This self-portrait is a testament to Kauffmann's enduring legacy as one of the most influential artists of her time. Her contributions to the Neoclassical movement, as well as her groundbreaking role as a successful female artist in a male-dominated field, continue to inspire and captivate art lovers around the world.
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