Mounted Print : Allegory of the 1st partition of Poland. 1772
Mounted Prints from Mary Evans Picture Library
Allegory of the 1st partition of Poland. 1772
Allegory of the 1st Partition of Poland, 1772. After Moreaus painting. Colored engraving
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14324863
© Thaliastock / Mary Evans
1772 Allegory Angel Austria Catherine Commonwealth Empress Frederick Habsburg Moreau Partition Poland Polish Lithuanian Partitions
10"x8" Mount with 8"x6" Print
Add historical depth to your home or office with our exquisite Mounted Photos from the Media Storehouse collection. This captivating piece features an engraving of "Allegory of the 1st Partition of Poland, 1772," a poignant representation of the political upheaval that marked the end of the Polish-Lithuanian Commonwealth. With its rich colors and intricate details, this print, sourced from Mary Evans Prints Online, is a testament to the artistic mastery of the past. Each Mounted Photo is meticulously printed on premium quality paper and mounted on a sturdy backing for a polished, gallery-like presentation. Bring history to life in your space with this evocative and thought-provoking addition to your decor.
Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.
Photo prints supplied in custom cut card mount ready for framing
Estimated Image Size (if not cropped) is 15.2cm x 19.4cm (6" x 7.6")
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
Allegory of the 1st Partition of Poland, 1772
EDITORS COMMENTS
is a powerful and evocative colored engraving that depicts the political upheaval and tragic consequences of one of the most significant events in Polish history. Based on the original painting by Jacques-Louis David's student, Jean-Baptiste Greuze, and later adapted by the renowned artist Jean-Baptiste Greuze, this engraving offers a visual commentary on the First Partition of Poland, which took place in 1772. The image is a compelling allegory of the political maneuverings and power struggles that led to the dismemberment of the Polish-Lithuanian Commonwealth. At the center of the composition, an angel, symbolizing Poland, is shown being attacked by three European empires: Austria, Russia, and Habsburg, represented by the figures of Empress Catherine II of Russia, King Joseph II of Austria, and Emperor Frederick II of the Holy Roman Empire. The map of Europe in the background serves as a reminder of the larger geopolitical context of the partition. The engraving is a poignant representation of the human cost of the partition, with Polish men and women depicted as helpless victims, pleading for mercy and protection. The scene is further emphasized by the contrast between the dark, ominous clouds above and the bright, golden light that illuminates the Polish angel, highlighting the stark contrast between the promise of peace and the reality of war and conquest. This powerful and evocative image is a testament to the complex and tumultuous history of Europe during the 18th century, and serves as a reminder of the political and diplomatic machinations that shaped the modern European age. The Allegory of the 1st Partition of Poland, 1772, is a poignant and thought-provoking work of art that continues to resonate with viewers today.
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