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Mounted Print : Peace - and No Pieces!, 1866. Artist: John Tenniel

Peace - and No Pieces!, 1866. Artist: John Tenniel



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Peace - and No Pieces!, 1866. Artist: John Tenniel

Peace - and No Pieces!, 1866. Napoleon III (1808-1873), French Emperor 1852-1870, dressed as a rag-picker (chiffonnier), warned off by Otto von Bismarck, the Prussian Chancellor. Napoleons territorial ambitions led to Franco-Prussian War of 1870-1871. Cartoon from Punch. (London, 25 August 1866)

Heritage Images features heritage image collections

Media ID 14836864

© Ann Ronan Picture Library / Heritage-Images

Ambition Bismarck Chancellor Conflict Count Otto Edward Leopold Von Bismarck Duke Of Lau Duke Of Lauenburg Greeting John Tenniel Meeting Otto Eduard Leopold Von Bismarck Otto Von Otto Von Bismarck Politeness Power Prince Otto Edward Leopold Von Prince Otto Von Bismarck Schonhausen Prussia Prussian Rival Rivalry Sir John Tenniel Tenniel Ann Ronan Pictures Wood Engraving


10"x8" Mount with 8"x6" Print

Experience the timeless beauty and symbolism of John Tenniel's iconic artwork, "Peace - and No Pieces! (1866)" from Heritage Images. This captivating piece, featuring Napoleon III as a rag-picker confronted by Otto von Bismarck, is now available as a mounted photo from Media Storehouse. With its rich history and powerful message of peace, this artwork is sure to make a striking addition to any home or office. Bring a piece of history into your space, and let the story of these legendary figures unfold before your eyes.

Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.

Photo prints supplied in custom cut card mount ready for framing

Estimated Image Size (if not cropped) is 15cm x 20.3cm (5.9" x 8")

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > John White

> Arts > Artists > W > John Wood

> Europe > France > Military

> Europe > France > Royalty

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > London > Royalty

> People > Politicians

> Popular Themes > Politics


Peace - and No Pieces!, 1866 - A Political Satire Unveiling the Rivalry between Napoleon III and Otto von Bismarck

EDITORS COMMENTS
. This photo print, titled "Peace - and No Pieces!, 1866" captures a pivotal moment in history when tensions were brewing between France and Prussia. Created by renowned artist John Tenniel for Punch magazine, this wood engraving serves as a satirical commentary on the political landscape of the time. In this scene, we witness French Emperor Napoleon III dressed as a rag-picker, symbolizing his territorial ambitions. However, he is met with resistance from Otto von Bismarck, the formidable Prussian Chancellor. The image portrays their encounter with humor and wit. The cartoon alludes to the Franco-Prussian War that would later erupt in 1870-1871 due to Napoleon's expansionist desires. Tenniel's clever depiction highlights the power dynamics at play between these two influential figures. Dressed in Victorian attire adorned with distinctive hats, both men exude authority while engaging in an exchange that teeters between politeness and conflict. This black-and-white caricature showcases Tenniel's mastery of satire as he captures their rivalry within a single frame. Through this historic artwork, viewers are transported back to the nineteenth century where statesmen like Bismarck shaped European politics. It serves as a reminder of how personal ambition can lead nations into turmoil while also shedding light on the complexities of international relations during that era. Overall, "Peace - and No Pieces!, 1866" stands as an enduring testament to Sir John Tenniel's artistic brilliance and offers us valuable insights into an important chapter in European history.

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