Mounted Print > Jan van Eyck
Mounted Print : The Madonna of Canon van der Paele, 1436. Artist: Jan van Eyck
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The Madonna of Canon van der Paele, 1436. Artist: Jan van Eyck
The Madonna of Canon van der Paele, 1436. Canon van der Paele is shown in the choir of the collegiate church of St. Donatian in Bruges, where he is being presented to the Virgin by St George and St Donatian
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Media ID 14866958
© Art Media / Heritage-Images
Bishop Clergy Eyck Groeningemuseum Jan Van Jan Van Eyck Painted Wood Saint George Saint Mary St George St Mary Stella Maris The Virgin Mary Throne Virgin And Child Virgin Mother Mother Of God
10"x8" Mount with 8"x6" Print
Bring the timeless beauty of Jan van Eyck's masterpiece, The Madonna of Canon van der Paele (1436), into your home with our exquisite range of Mounted Photos. This stunning reproduction captures the intricate details and rich colors of the original painting, which once hung in the collegiate church of St. Donatian in Bruges. Our high-quality mounts preserve the artwork's authenticity while adding a touch of elegance to any room. Own a piece of art history with our Mounted Photos of The Madonna of Canon van der Paele by Jan van Eyck.
Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.
Photo prints supplied in custom cut card mount ready for framing
Estimated Image Size (if not cropped) is 20.1cm x 15.2cm (7.9" x 6")
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "The Madonna of Canon van der Paele" painted by Jan van Eyck in 1436. The artwork depicts the esteemed Canon van der Paele, dressed in his bishop's robes, positioned within the choir of St. Donatian collegiate church in Bruges. In this sacred setting, he is being presented to the Virgin Mary by two revered saints, St. George and St. Donatian. The Renaissance masterpiece exudes a sense of grandeur and spirituality as it captures the intricate details of religious iconography prevalent during that era. Van Eyck's mastery is evident through his meticulous use of color and texture on the painted wood surface. The image transports us back to 15th century Flanders, immersing us in a world where clergy played significant roles both spiritually and politically. The presence of warfare elements such as armor worn by St. George adds an intriguing layer to the composition, symbolizing protection against evil forces. Displayed at Groeningemuseum, this portrait serves as a testament to Van Eyck's contribution to Flemish art and his ability to convey profound religious concepts through visual media. As we gaze upon this print collector's treasure, we are reminded of the enduring power and beauty found within religious art while appreciating its historical significance in shaping cultural narratives throughout centuries past.
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