Mounted Print : HAWTHORNE: THE MARBLE FAUN. The well-remembered features
Mounted Prints from Granger
HAWTHORNE: THE MARBLE FAUN. The well-remembered features
HAWTHORNE: THE MARBLE FAUN.
The well-remembered features. Oil illustration by Alice Barber Stephens, c1900, for Nathaniel Hawthornes The Marble Faun, originally published in 1860
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 13644774
1860 1900 Alice Barber Character Cloak Hawthorne Literature Nathaniel Sculpture Stephens Victorian Turn
10"x8" Mount with 8"x6" Print
Bring the timeless beauty of literature to your home with our Mounted Photos from the Media Storehouse range. Featuring the captivating image of "Hawthorne: The Marble Faun," this exquisite oil illustration by Alice Barber Stephens, published in 1860 for Nathaniel Hawthorne's classic novel, is a must-have for literature and art enthusiasts. The Granger Collection from Granger Art on Demand brings you this well-remembered feature, adding an elegant touch to any room. Experience the magic of literature and art in a whole new way with our high-quality mounted photos.
Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.
Photo prints supplied in custom cut card mount ready for framing
Estimated Image Size (if not cropped) is 12.2cm x 20.3cm (4.8" x 8")
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases an oil illustration by Alice Barber Stephens, created in 1900 for Nathaniel Hawthorne's renowned novel, "The Marble Faun". The image transports us back to the mid-19th century, capturing the essence of Victorian fashion and style. In this evocative scene, we encounter a man and woman who embody the characters from Hawthorne's literary masterpiece. The well-remembered features of these individuals are beautifully depicted through Stephens' skilled brushstrokes. The man dons a cloak that exudes an air of mystery and intrigue, while the woman stands beside him with an aura of grace and elegance. The setting appears to be a sculpture garden or perhaps even Rome itself, as suggested by the title of Hawthorne's novel. This choice is fitting since "The Marble Faun" explores themes of art, morality, and identity against the backdrop of Italy's rich cultural heritage. Stephens' illustration not only captures the physical attributes but also conveys the complex emotions experienced by these characters throughout their journey. It serves as a visual representation that complements Hawthorne's masterful storytelling. As we gaze upon this enchanting print, we are transported into another world - one filled with timeless beauty and thought-provoking narratives. It reminds us why both literature enthusiasts and art lovers continue to cherish Nathaniel Hawthorne's "The Marble Faun" over a century after its original publication in 1860.
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