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1630s Collection

Step back in time to the 1630s, a captivating era filled with art, history, and cultural transformations

Background image1630s Collection: St Michael Archangel by Guido Reni

St Michael Archangel by Guido Reni Date: 1635

Background image1630s Collection: Whitehall, with Holbein Gateway and Banqueting Hall

Whitehall, with Holbein Gateway and Banqueting Hall
A view of Whitehall, Central London, showing the Holbein Gateway (right) and the Banqueting Hall (left), with part of the old Palace connecting them

Background image1630s Collection: Puritans founding New Haven, Connecticut

Puritans founding New Haven, Connecticut
John Davenport leads Puritans in giving thanks for their arrival at New Haven, Connecticut, 1630s. Hand-colored woodcut of a 19th-century illustration

Background image1630s Collection: Banquet des Chevaliers de l Ordre du Saint-Esprit

Banquet des Chevaliers de l Ordre du Saint-Esprit donne au chateau de Fontainebleau le 14 mai 1633, French School. The Knights of the Order of the Holy Spirit sit at two long tables

Background image1630s Collection: EXPL2A-00128

EXPL2A-00128
Landing of Jean Nicolet on the Wisconsin shore of Lake Michigan, 1634, the first European to reach that region. Hand-colored halftone of a 19th-century illustration

Background image1630s Collection: Portrait of Two Women and a Boy, 1632. Creator: Thomas de Keyser

Portrait of Two Women and a Boy, 1632. Creator: Thomas de Keyser
Portrait of Two Women and a Boy, 1632.

Background image1630s Collection: Still Life with Fruit Pie and various Objects, 1634. Creator: Willem Claesz. Heda

Still Life with Fruit Pie and various Objects, 1634. Creator: Willem Claesz. Heda
Still Life with Fruit Pie and various Objects, 1634.

Background image1630s Collection: Vertumnus and Pomona, 1637. Creator: Caesar Boëtius van Everdingen

Vertumnus and Pomona, 1637. Creator: Caesar Boëtius van Everdingen
Vertumnus and Pomona, 1637.

Background image1630s Collection: Saint Jerome in penitence, 1634. Creator: Jusepe de Ribera

Saint Jerome in penitence, 1634. Creator: Jusepe de Ribera
Saint Jerome in penitence, 1634.

Background image1630s Collection: The Pietà, 1633. Creator: Jusepe de Ribera

The Pietà, 1633. Creator: Jusepe de Ribera
The Pieta, 1633.

Background image1630s Collection: Christ on the Cross, 1630. Creator: Francisco de Zurbaran

Christ on the Cross, 1630. Creator: Francisco de Zurbaran
Christ on the Cross, 1630.

Background image1630s Collection: Saint Casilda, 1630. Creator: Francisco de Zurbaran

Saint Casilda, 1630. Creator: Francisco de Zurbaran
Saint Casilda, 1630.

Background image1630s Collection: Portrait of Jacques Le Roy, 1631. Creator: Anthony van Dyck

Portrait of Jacques Le Roy, 1631. Creator: Anthony van Dyck
Portrait of Jacques Le Roy, 1631.

Background image1630s Collection: The Supper at Emmaus, 1633. Creator: Matthias Stomer

The Supper at Emmaus, 1633. Creator: Matthias Stomer
The Supper at Emmaus, 1633.

Background image1630s Collection: Solomon and the Queen of Sheba, 1639. Creator: Johann Heinrich Schonfeld

Solomon and the Queen of Sheba, 1639. Creator: Johann Heinrich Schonfeld
Solomon and the Queen of Sheba, 1639.

Background image1630s Collection: Village Scene with Men drinking, 1631. Creator: Adriaen Brouwer

Village Scene with Men drinking, 1631. Creator: Adriaen Brouwer
Village Scene with Men drinking, 1631.

Background image1630s Collection: Christ driving the money changers from the Temple, 1635. Creator: Rembrandt Harmensz van Rijn

Christ driving the money changers from the Temple, 1635. Creator: Rembrandt Harmensz van Rijn
Christ driving the money changers from the Temple, 1635.

Background image1630s Collection: Christ at Emmaus: the smaller plate, 1634. Creator: Rembrandt Harmensz van Rijn

Christ at Emmaus: the smaller plate, 1634. Creator: Rembrandt Harmensz van Rijn
Christ at Emmaus: the smaller plate, 1634.

Background image1630s Collection: Joseph's coat brought to Jacob, c.1633. Creator: Rembrandt Harmensz van Rijn

Joseph's coat brought to Jacob, c.1633. Creator: Rembrandt Harmensz van Rijn
Joseph's coat brought to Jacob, c.1633. The tragic consequences, when Joseph's brothers turned against him, are described in Genesis 37:12-35

Background image1630s Collection: Amoenissimæ aliquot locorum ... Effigies. Plate 18. Zu Cöllen, 1635. Creator: Wenceslaus Hollar

Amoenissimæ aliquot locorum ... Effigies. Plate 18. Zu Cöllen, 1635. Creator: Wenceslaus Hollar
Amoenissimae aliquot locorum ... Effigies. Plate 18. Zu Collen, 1635.

Background image1630s Collection: Amoenissimæ aliquot locorum ... effigies. Plate 14. Rudeßheim im Rinckow, 1635

Amoenissimæ aliquot locorum ... effigies. Plate 14. Rudeßheim im Rinckow, 1635. Creator: Wenceslaus Hollar
Amoenissimae aliquot locorum ... effigies. Plate 14. Rudeszheim im Rinckow, 1635.

Background image1630s Collection: Amoenissimæ aliquot locorum ... effigies. Plate 13. Zu Francfort, 1635. Creator: Wenceslaus Hollar

Amoenissimæ aliquot locorum ... effigies. Plate 13. Zu Francfort, 1635. Creator: Wenceslaus Hollar
Amoenissimae aliquot locorum ... effigies. Plate 13. Zu Francfort, 1635.

Background image1630s Collection: Amoenissimæ aliquot locorum ... effigies. Plate 17. Zu Cöllen, 1635. Creator: Wenceslaus Hollar

Amoenissimæ aliquot locorum ... effigies. Plate 17. Zu Cöllen, 1635. Creator: Wenceslaus Hollar
Amoenissimae aliquot locorum ... effigies. Plate 17. Zu Collen, 1635. Zu Collen (Cologne) is Plate 17 of a collection of 24 etchings, Amoenissimae aliquot locorum

Background image1630s Collection: Beggar with a wooden leg, c.1630. Creator: Rembrandt Harmensz van Rijn

Beggar with a wooden leg, c.1630. Creator: Rembrandt Harmensz van Rijn
Beggar with a wooden leg, c.1630.

Background image1630s Collection: Self-portrait in a cap and scarf with the face dark: bust, 1633

Self-portrait in a cap and scarf with the face dark: bust, 1633. Creator: Rembrandt Harmensz van Rijn
Self-portrait in a cap and scarf with the face dark: bust, 1633. To some extent this work reflects Rembrandt's status, showing him wearing a cap and scarf

Background image1630s Collection: The crucifixion: small plate, c.1635. Creator: Rembrandt Harmensz van Rijn

The crucifixion: small plate, c.1635. Creator: Rembrandt Harmensz van Rijn
The crucifixion: small plate, c.1635. Presenting the viewer with a sensitive interpretation of Christ on the Cross, close attention has been paid to the intricate features on the figures

Background image1630s Collection: Menasseh ben Israel, 1636. Creator: Rembrandt Harmensz van Rijn

Menasseh ben Israel, 1636. Creator: Rembrandt Harmensz van Rijn
Menasseh ben Israel, 1636. Manoel Dias Soeiro (1604-57), better known by his Hebrew name Menasseh/ Manasseh ben Israel also, Menasheh ben Yossef ben Yisrael, was a Portuguese rabbi, kabbalist

Background image1630s Collection: Bearded old man in a high fur cap, with eyes closed, c.1635. Creator: Rembrandt Harmensz van Rijn

Bearded old man in a high fur cap, with eyes closed, c.1635. Creator: Rembrandt Harmensz van Rijn
Bearded old man in a high fur cap, with eyes closed, c.1635. Sunken shadows follow the old man's weathered face, undulating over his aged skin and full beard

Background image1630s Collection: Self-portrait with Saskia, 1636. Creator: Rembrandt Harmensz van Rijn

Self-portrait with Saskia, 1636. Creator: Rembrandt Harmensz van Rijn
Self-portrait with Saskia, 1636. The artist and his wife are shown wearing historical clothing. Rembrandt wears a fanciful 16th-century style plumed beret tilted at a jaunty angle

Background image1630s Collection: The strolling musicians, c.1635. Creator: Rembrandt Harmensz van Rijn

The strolling musicians, c.1635. Creator: Rembrandt Harmensz van Rijn
The strolling musicians, c.1635. A sympathetic inquiry into the lives of impoverished people, including beggars. Two musicians, one playing a hurdy gurdy, and the other the bagpipes

Background image1630s Collection: Bust of an old man with flowing beard and white sleeve, c.1630. Creator: Rembrandt Harmensz van Rijn

Bust of an old man with flowing beard and white sleeve, c.1630. Creator: Rembrandt Harmensz van Rijn
Bust of an old man with flowing beard and white sleeve, c.1630. A bust-length image of an elderly man with a beard and large forehead, his body facing to the right

Background image1630s Collection: Robert van Voerst. From Icones principum virorum ('The Iconography), before 1637

Robert van Voerst. From Icones principum virorum ('The Iconography), before 1637. Creator: Robert van Voerst
Robert van Voerst. From Icones principum virorum ('The Iconography), before 1637. The Flemish artist Robert van Voerst (1597-1635/6) studied engraving under Crispin van de Passe

Background image1630s Collection: Beggar with two crutches, 1632. Creator: Jan Georg van Vliet

Beggar with two crutches, 1632. Creator: Jan Georg van Vliet
Beggar with two crutches, 1632. A beggar, seen from behind, moves, in what looks like a painful fashion, with the aid of two wooden crutches

Background image1630s Collection: Temptation of St Antony, 1628-1642. Creator: Andries Dirksz Both

Temptation of St Antony, 1628-1642. Creator: Andries Dirksz Both
Temptation of St Antony, 1628-1642. The Temptation of Saint Anthony/Antony is an often-repeated subject in history of art and literature

Background image1630s Collection: The stoning of St Stephen, 1635, Netherlands. Creator: Rembrandt Harmensz van Rijn

The stoning of St Stephen, 1635, Netherlands. Creator: Rembrandt Harmensz van Rijn
The stoning of St Stephen, 1635, Netherlands.

Background image1630s Collection: The stoning of St Stephen, 1635. Creator: Rembrandt Harmensz van Rijn

The stoning of St Stephen, 1635. Creator: Rembrandt Harmensz van Rijn
The stoning of St Stephen, 1635.

Background image1630s Collection: Bearded man, in a furred oriental cap and robe, 1631. Creator: Rembrandt Harmensz van Rijn

Bearded man, in a furred oriental cap and robe, 1631. Creator: Rembrandt Harmensz van Rijn
Bearded man, in a furred oriental cap and robe, 1631. Bearded man, in a furred oriental cap and robe is traditionally said to be a portrait of the artist's father

Background image1630s Collection: Old man with beard, fur cap, and velvet cloak, c.1631. Creator: Rembrandt Harmensz van Rijn

Old man with beard, fur cap, and velvet cloak, c.1631. Creator: Rembrandt Harmensz van Rijn
Old man with beard, fur cap, and velvet cloak, c.1631. An old man, seen in half-length portrait, is sitting in a chair with a heavy velvet cloak draped around his shoulders.

Background image1630s Collection: A Ruin On The Palatine Hill, 1630-35. Creator: Claude Lorrain

A Ruin On The Palatine Hill, 1630-35. Creator: Claude Lorrain
A Ruin On The Palatine Hill, 1630-35.

Background image1630s Collection: Map of the historical Duchy of Pomerania

Map of the historical Duchy of Pomerania
1577230 Map of the historical Duchy of Pomerania; (add.info.: Map of the historical Duchy of Pomerania. The Duchy of Pomerania 12th century - 1637 was a duchy in Pomerania on the southern coast of)

Background image1630s Collection: The Herbal or General History of Plants: The Complete 1633 Edition

The Herbal or General History of Plants: The Complete 1633 Edition
5669335 The Herbal or General History of Plants: The Complete 1633 Edition; (add.info.: The Herbal or General History of Plants)

Background image1630s Collection: Portugese Navigational Map of the North Atlantic, 1630

Portugese Navigational Map of the North Atlantic, 1630
2902820 Portugese Navigational Map of the North Atlantic, 1630; (add.info.: Portugese Navigational Map of the North Atlantic, 1630.); Buyenlarge Archive/UIG

Background image1630s Collection: Ports in the West Indies, 1630

Ports in the West Indies, 1630
2902885 Ports in the West Indies, 1630; (add.info.: Ports in the West Indies, 1630.); Buyenlarge Archive/UIG

Background image1630s Collection: Portuguese Map of the Red Sea, The Middle east, 1630

Portuguese Map of the Red Sea, The Middle east, 1630
2902267 Portuguese Map of the Red Sea, The Middle east, 1630; (add.info.: Portuguese Map of the Red Sea, The Middle east, 1630.); Buyenlarge Archive/UIG

Background image1630s Collection: Portuguese Navigational Map of Caribbean Ports, 1630

Portuguese Navigational Map of Caribbean Ports, 1630
2902886 Portuguese Navigational Map of Caribbean Ports, 1630; (add.info.: Portuguese Navigational Map of Caribbean Ports, 1630.); Buyenlarge Archive/UIG

Background image1630s Collection: The Sovereign of the Seas (line engraving)

The Sovereign of the Seas (line engraving)
1579769 The Sovereign of the Seas (line engraving); (add.info.: Line engraving of the Sovereign of the Seas. Later called The Royal Sovereign. Engraved by J. Payne)

Background image1630s Collection: Queen Kristina as a Child, 1630s. Creator: School of Jacob Heinrich Elbfas

Queen Kristina as a Child, 1630s. Creator: School of Jacob Heinrich Elbfas
Queen Kristina as a Child, 1630s

Background image1630s Collection: Aeneas Carrying Anchises from Troy, between 1623 and 1630. Creator: Ludolph Busing

Aeneas Carrying Anchises from Troy, between 1623 and 1630. Creator: Ludolph Busing
Aeneas Carrying Anchises from Troy, between 1623 and 1630



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Step back in time to the 1630s, a captivating era filled with art, history, and cultural transformations. Immerse yourself in the beauty of St Michael Archangel by Guido Reni, a masterpiece that captures the celestial grace of this revered figure. Journey to Whitehall, where the Holbein Gateway and Banqueting Hall stand as majestic symbols of power and grandeur. Meanwhile, across the Atlantic Ocean, witness the Puritans founding New Haven, Connecticut—a pivotal moment in American history that shaped its future. In France, experience the opulence of the Banquet des Chevaliers de l'Ordre du Saint-Esprit—an extravagant feast fit for nobility. Art continues to captivate with works like The Massacre of the Innocents by an unknown artist—its haunting depiction leaves us pondering humanity's darker side. Delve into pen and ink drawings such as The Executioner holding the Head of Saint John the Baptist—a chilling portrayal that evokes both fascination and unease. Rustem Killing Arjang Div transports us to a world steeped in Persian mythology—the intricate details heightened with vibrant colors transport us to another realm altogether. Biblical scenes come alive through Moses, Aaron and children gathering Manna—an awe-inspiring testament to faith and divine providence. Portraits offer glimpses into lives lived centuries ago: A Lady aged 80 stands proudly alongside a young girl aged 6—wisdom meets innocence frozen in time. Another portrait reveals an elaborate black costume adorning a Lady standing tall—her enigmatic presence invites speculation about her story. Finally, envision arquebusiers—the infantrymen armed with long guns—who played crucial roles on battlefields during this period when warfare was undergoing significant changes. They were an age marked by artistic brilliance, historical milestones, and societal shifts—a tapestry woven from diverse threads that continue to fascinate us today.