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Mounted Print : Houses lately standing on the North Side of Long Land, Smithfield, 1813 (etching)
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Houses lately standing on the North Side of Long Land, Smithfield, 1813 (etching)
XYC273624 Houses lately standing on the North Side of Long Land, Smithfield, 1813 (etching) by Smith, John Thomas (1766-1833); Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: drawn and etched by Smith; ); English, out of copyright
Media ID 12790133
© www.bridgemanart.com
Builders Vernacular Architecture
10"x8" Mount with 8"x6" Print
Add a touch of historical charm to your home decor with the exquisite etching, "Houses lately standing on the North Side of Long Land, Smithfield, 1813" by John Thomas Smith. This stunning work of art, available through Media Storehouse and Bridgeman Art from Fine Art Finder (XYC273624), offers a glimpse into the past with its intricate details of 19th-century houses along the North Side of Long Land in Smithfield. Bring the rich history of this etching to life in your living space and elevate your interior design with this timeless piece from the Paul Mellon Collection at the Yale Center for British Art.
Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.
Photo prints supplied in custom cut card mount ready for framing
Estimated Image Size (if not cropped) is 15.2cm x 19cm (6" x 7.5")
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This etching, titled "Houses lately standing on the North Side of Long Land, Smithfield, 1813" takes us back in time to early 19th century England. Created by the talented artist John Thomas Smith, this print showcases his keen eye for detail and his ability to capture the essence of urban life. The scene depicted in this etching is a bustling street in Smithfield, with rows of houses lining both sides. The architecture reflects the vernacular style of that era, giving us a glimpse into what life was like during this period. The buildings stand tall and proud, each one unique in its design and character. One can't help but imagine the sounds and smells that would have filled these streets - the clatter of horse-drawn carriages passing by, merchants selling their wares from market stalls, and residents going about their daily routines. Smith's attention to detail is evident throughout the print; every brick seems meticulously etched onto paper. This level of craftsmanship brings an authenticity to the artwork that transports viewers back in time. As we gaze upon this historical snapshot captured through artistry and skillful technique, we are reminded of how cities evolve over time. These houses may no longer be standing today, but they live on through John Thomas Smith's remarkable etching held within Yale Center for British Art's prestigious Paul Mellon Collection.
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