Fraud Blocker Skip to main content

Mounted Print > Fine Art Finder > Artists > Edward Coley Burne-Jones

Edward Coley Burne-Jones Mounted Print Collection

Choose a picture from our collection for your Wall Art and Photo Gifts

1,233 Mounted Prints

Background imageEdward Coley Burne-Jones Mounted Print Collection: Study for Clyties of the Mist (chalk on paper)

Study for Clyties of the Mist (chalk on paper)
Ma199080 Study for Clyties of the Mist (chalk on paper) by Draper, Herbert James (1864-1920); 74x54 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageEdward Coley Burne-Jones Mounted Print Collection: The Annunciation (w / c with gouache on paper)

The Annunciation (w / c with gouache on paper)
BIR451282 The Annunciation (w/c with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 37.4x52.4 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageEdward Coley Burne-Jones Mounted Print Collection: The Garden at Bougival, 1884 (oil on canvas)

The Garden at Bougival, 1884 (oil on canvas)
MMT185903 The Garden at Bougival, 1884 (oil on canvas) by Morisot, Berthe (1841-95); 73x92 cm; Musee Marmottan Monet, Paris, France; French, out of copyright

Background imageEdward Coley Burne-Jones Mounted Print Collection: The Grave of Keats, 1873 (w / c on paper)

The Grave of Keats, 1873 (w / c on paper)
AMO101413 The Grave of Keats, 1873 (w/c on paper) by Crane, Walter (1845-1915); 24.4x34.3 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: John Keats (1795-1821)

Background imageEdward Coley Burne-Jones Mounted Print Collection: The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival

The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival
BIR68247 The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series The Quest for the Holy Grail, 1895-96 (wool, silk)

Background imageEdward Coley Burne-Jones Mounted Print Collection: Cupid's hunting fields, 1880 (oil on canvas)

Cupid's hunting fields, 1880 (oil on canvas)
930319 Cupid's hunting fields, 1880 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Background imageEdward Coley Burne-Jones Mounted Print Collection: Ashton Under Lyne, Albion Congregational Church, Morris & Co

Ashton Under Lyne, Albion Congregational Church, Morris & Co
3475708 Ashton Under Lyne, Albion Congregational Church, Morris & Co. Edward Burne-Jones, South Transept, 1896 by Burne-Jones, Edward Coley (1833-98); Albion Congregational Church, Ashton Under Lyne

Background imageEdward Coley Burne-Jones Mounted Print Collection: Female Head, 1890 (pastel on paper)

Female Head, 1890 (pastel on paper)
CMN95599 Female Head, 1890 (pastel on paper) by Burne-Jones, Edward Coley (1833-98); 37.8x29.2 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageEdward Coley Burne-Jones Mounted Print Collection: At Aphrodites Cradle (The Ever-New Horizon), (oil on panel)

At Aphrodites Cradle (The Ever-New Horizon), (oil on panel)
989817 At Aphrodites Cradle (The Ever-New Horizon), (oil on panel) by Alma-Tadema, Lawrence (1836-1912); 49.6x38 cm; Private Collection; (add.info.: At Aphrodites Cradle (The Ever-New Horizon)

Background imageEdward Coley Burne-Jones Mounted Print Collection: The Ascension, 1885-1897 (stained glass)

The Ascension, 1885-1897 (stained glass)
3501527 The Ascension, 1885-1897 (stained glass) by Burne-Jones, Edward Coley (1833-98); St.Phillips Cathedral, Birmingham, West Midlands, UK; (add.info.: The Ascension); English, out of copyright

Background imageEdward Coley Burne-Jones Mounted Print Collection: Design for stained glass in Lyndhurst Church: An Angel Harpist

Design for stained glass in Lyndhurst Church: An Angel Harpist
1217852 Design for stained glass in Lyndhurst Church: An Angel Harpist, 1862 (brown and blue washes over graphite) by Burne-Jones, Edward Coley (1833-98); 54x54 cm; Ashmolean Museum

Background imageEdward Coley Burne-Jones Mounted Print Collection: The Pelican, cartoon for stained glass for the William Morris Company, 1880 (coloured

The Pelican, cartoon for stained glass for the William Morris Company, 1880 (coloured
XCF869991 The Pelican, cartoon for stained glass for the William Morris Company, 1880 (coloured chalk on paper) by Burne-Jones, Edward Coley (1833-98); William Morris Gallery, Walthamstow

Background imageEdward Coley Burne-Jones Mounted Print Collection: Mr. Morris reading poems to Mr. Burne Jones (pen & ink on paper)

Mr. Morris reading poems to Mr. Burne Jones (pen & ink on paper)
XJF416518 Mr. Morris reading poems to Mr. Burne Jones (pen & ink on paper) by Burne-Jones, Edward Coley (1833-98); Private Collection; (add.info)

Background imageEdward Coley Burne-Jones Mounted Print Collection: Tivoli, 1874 (oil on canvas)

Tivoli, 1874 (oil on canvas)
NGW405356 Tivoli, 1874 (oil on canvas) by Williams, Henry Penry (1798-1885); 33.2x25.7 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Mounted Print Collection: Head crowned with leaves, c.1897 (pencil on paper)

Head crowned with leaves, c.1897 (pencil on paper)
NGW405353 Head crowned with leaves, c.1897 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 20x15 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Mounted Print Collection: Drapery study for King Cophetua, c.1883 (graphite on paper)

Drapery study for King Cophetua, c.1883 (graphite on paper)
NGW405351 Drapery study for King Cophetua, c.1883 (graphite on paper) by Burne-Jones, Edward Coley (1833-98); 35.5x25.2 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Mounted Print Collection: Morning on the Oise, Auvers (oil on board)

Morning on the Oise, Auvers (oil on board)
NGW238953 Morning on the Oise, Auvers (oil on board) by Daubigny, Charles Francois (1817-78); 20.8x41.9 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Mounted Print Collection: Study of a Head (oil on panel)

Study of a Head (oil on panel)
NGW239411 Study of a Head (oil on panel) by Burne-Jones, Edward Coley (1833-98); 35.5x25.6 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Mounted Print Collection: The south gate of Cardiff Castle, 1775 (aquatint)

The south gate of Cardiff Castle, 1775 (aquatint)
NGW322623 The south gate of Cardiff Castle, 1775 (aquatint) by Sandby, Paul (1725-1809); 25.6x33.4 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Mounted Print Collection: Perseus and the Graiae, 1875-78 (mixed media)

Perseus and the Graiae, 1875-78 (mixed media)
NGW342644 Perseus and the Graiae, 1875-78 (mixed media) by Burne-Jones, Edward Coley (1833-98); 170.2x153.2 cm; National Museum Wales; (add.info.: made from: gold leaf, silver leaf)

Background imageEdward Coley Burne-Jones Mounted Print Collection: Dog (aluminium)

Dog (aluminium)
NGW239413 Dog (aluminium) by Gaudier-Brzeska, Henri (1891-1915); 15.5x8.6 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Mounted Print Collection: Venus Discordia (oil on canvas)

Venus Discordia (oil on canvas)
NGW184264 Venus Discordia (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 128.2x209.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Mounted Print Collection: 434104

434104

Background imageEdward Coley Burne-Jones Mounted Print Collection: Head, 1885 (pencil on paper)

Head, 1885 (pencil on paper)
NGW405352 Head, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 24.4x15.1 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Mounted Print Collection: Internally decorated and acid-cut trumpet vase by Auguste Daum (1853-1909) (glass)

Internally decorated and acid-cut trumpet vase by Auguste Daum (1853-1909) (glass)
BON109582 Internally decorated and acid-cut trumpet vase by Auguste Daum (1853-1909) (glass) by Daum, Auguste (1853-1909); height:34.5 cm; Private Collection; Photo © Bonhams, London, UK

Background imageEdward Coley Burne-Jones Mounted Print Collection: Calendar for 1849 depicting the Bonaparte Family, 1849 (coloured engraving)

Calendar for 1849 depicting the Bonaparte Family, 1849 (coloured engraving)
XIR180455 Calendar for 1849 depicting the Bonaparte Family, 1849 (coloured engraving) by French School, (19th century); Bibliotheque Nationale, Paris

Background imageEdward Coley Burne-Jones Mounted Print Collection: Spring, 1894 (pencil & red chalk)

Spring, 1894 (pencil & red chalk)
FFA178176 Spring, 1894 (pencil & red chalk) by Burne-Jones, Edward Coley (1833-98); 45.7x20.3 cm; Private Collection

Background imageEdward Coley Burne-Jones Mounted Print Collection: Kirkcaldy Old Kirk, Morris & Co. William Morris, Acorns & Oak Leaves, 1886

Kirkcaldy Old Kirk, Morris & Co. William Morris, Acorns & Oak Leaves, 1886
3475772 Kirkcaldy Old Kirk, Morris & Co. William Morris, Acorns & Oak Leaves, 1886 by Morris, William (1834-96); Old Kirk, Kirkcaldy, UK; (add.info.: Kirkcaldy Old Kirk, M&C, WM, Acorns & Oak Leaves)

Background imageEdward Coley Burne-Jones Mounted Print Collection: Tapestry depicting peasants hunting rabbits with ferrets, Tournai, c. 1450-75 (wool)

Tapestry depicting peasants hunting rabbits with ferrets, Tournai, c. 1450-75 (wool)
GLS219847 Tapestry depicting peasants hunting rabbits with ferrets, Tournai, c.1450-75 (wool) by Flemish School, (15th century); 304.8x292.1 cm; Burrell Collection, Glasgow

Background imageEdward Coley Burne-Jones Mounted Print Collection: Danae, or The Tower of Brass, 1887-88 (oil on canvas)

Danae, or The Tower of Brass, 1887-88 (oil on canvas)
GLS111327 Danae, or The Tower of Brass, 1887-88 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 231.1x113 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageEdward Coley Burne-Jones Mounted Print Collection: The Marriage of Convenience, 1883 (oil on canvas)

The Marriage of Convenience, 1883 (oil on canvas)
GLS62456 The Marriage of Convenience, 1883 (oil on canvas) by Orchardson, William Quiller (1832-1910); 104.8x154.3 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageEdward Coley Burne-Jones Mounted Print Collection: The Angel (oil on panel)

The Angel (oil on panel)
GLS314063 The Angel (oil on panel) by Burne-Jones, Edward Coley (1833-98); 26.7x19.1 cm; Glasgow Museums, UK; (add.info.: playing a flageolet.); © CSG CIC Glasgow Museums Collection

Background imageEdward Coley Burne-Jones Mounted Print Collection: The Body of Harold brought before William the Conqueror, 1844-61 (oil on canvas)

The Body of Harold brought before William the Conqueror, 1844-61 (oil on canvas)
MAN62927 The Body of Harold brought before William the Conqueror, 1844-61 (oil on canvas) by Brown, Ford Madox (1821-93); 105x123.1 cm; Manchester Art Gallery

Background imageEdward Coley Burne-Jones Mounted Print Collection: The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum)

The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum)
MAN63033 The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum) by Burne-Jones, Edward Coley (1833-98); 25.9x36 cm; Manchester Art Gallery

Background imageEdward Coley Burne-Jones Mounted Print Collection: The Ides of March, 1883 (oil on canvas)

The Ides of March, 1883 (oil on canvas)
MAN62971 The Ides of March, 1883 (oil on canvas) by Poynter, Edward John (1836-1919); 153x112.6 cm; Manchester Art Gallery, UK; (add.info.: by Edward John Poynter); © Manchester Art Gallery

Background imageEdward Coley Burne-Jones Mounted Print Collection: Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)

Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)
MAN63032 Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper) by Burne-Jones, Edward Coley (1833-98); 64.9x49.4 cm; Manchester Art Gallery

Background imageEdward Coley Burne-Jones Mounted Print Collection: Landing Boxes of Oranges in England, from the series Summer's Oranges from South Africa

Landing Boxes of Oranges in England, from the series Summer's Oranges from South Africa (colour litho)
MAN464520 Landing Boxes of Oranges in England, from the series Summer's Oranges from South Africa (colour litho) by Kortright, Guy (1877-1948); Manchester Art Gallery

Background imageEdward Coley Burne-Jones Mounted Print Collection: Sibylla Delphica, 1868 (oil on panel)

Sibylla Delphica, 1868 (oil on panel)
MAN62938 Sibylla Delphica, 1868 (oil on panel) by Burne-Jones, Edward Coley (1833-98); 152.8x60.3 cm; Manchester Art Gallery

Background imageEdward Coley Burne-Jones Mounted Print Collection: Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint)

Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint)
7394162 Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint) by Rossetti, Dante Gabriel Charles (1828-82); 26.3x20.2 cm; Ashmolean Museum, University of Oxford

Background imageEdward Coley Burne-Jones Mounted Print Collection: Caricature of Algernon Charles Swinburne, 1863 (pen, brown ink and wash on paper)

Caricature of Algernon Charles Swinburne, 1863 (pen, brown ink and wash on paper)
7394159 Caricature of Algernon Charles Swinburne, 1863 (pen, brown ink and wash on paper) by Burne-Jones, Edward Coley (1833-98); 20.3x15.8 cm; Ashmolean Museum, University of Oxford

Background imageEdward Coley Burne-Jones Mounted Print Collection: Peony and a butterfly, 1925-36 (colour woodcut)

Peony and a butterfly, 1925-36 (colour woodcut)
7411806 Peony and a butterfly, 1925-36 (colour woodcut) by Koson, Ohara (1877-1945); 38.9--17.3 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Ohara Koson, part of the shin-hanga)

Background imageEdward Coley Burne-Jones Mounted Print Collection: The end of 'The Romance of the Rose', and the beginning of 'The Parlement of Foules'

The end of "The Romance of the Rose", and the beginning of "The Parlement of Foules"
7409778 The end of "The Romance of the Rose", and the beginning of "The Parlement of Foules", ie Parliament of Fowls, from The Works of Geoffrey Chaucer, by William Morris

Background imageEdward Coley Burne-Jones Mounted Print Collection: Three Polo Players, c. 1600-25 (ink & w/c on paper)

Three Polo Players, c. 1600-25 (ink & w/c on paper)
7393882 Three Polo Players, c.1600-25 (ink & w/c on paper) by South Indian School, (17th century); 7x23.3 cm; Metropolitan Museum of Art, New York, USA

Background imageEdward Coley Burne-Jones Mounted Print Collection: PB 5-2001

PB 5-2001
Pages 22-23. "The Knights Tale". The Works of Geoffrey Chaucer. William Morris, Kelmscott Press. Illustrations by Sir Edward Burne-Jones

Background imageEdward Coley Burne-Jones Mounted Print Collection: Albert Einstein in his study at the Institute of Advanced Study, Princeton, USA, 1940 (b/w photo)

Albert Einstein in his study at the Institute of Advanced Study, Princeton, USA, 1940 (b/w photo)
1722577 Albert Einstein in his study at the Institute of Advanced Study, Princeton, USA, 1940 (b/w photo) by Unknown photographer, (20th century)

Background imageEdward Coley Burne-Jones Mounted Print Collection: Scene of King Rene sculpting a figure while being watched by his new bride

Scene of King Rene sculpting a figure while being watched by his new bride
451293 Scene of King Rene sculpting a figure while being watched by his new bride (pen & india ink with wash and pencil on paper) by Burne-Jones

Background imageEdward Coley Burne-Jones Mounted Print Collection: Portrait of the French dancer Cleo de Merode (1875-1966), photography around 1900

Portrait of the French dancer Cleo de Merode (1875-1966), photography around 1900
XEE4144030 Portrait of the French dancer Cleo de Merode (1875-1966), photography around 1900. by Unknown photographer, (20th century); Private Collection; (add.info)

Background imageEdward Coley Burne-Jones Mounted Print Collection: Unpainted masterpieces (self-caricature) (pen & ink on paper)

Unpainted masterpieces (self-caricature) (pen & ink on paper)
BIR185843 Unpainted masterpieces (self-caricature) (pen & ink on paper) by Burne-Jones, Edward Coley (1833-98); 17.6x10.7 cm; Birmingham Museums and Art Gallery



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2003, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site