Mounted Print > Arts > Artists > M > Eadweard Muybridge
Mounted Print : Plate 617. Canter; Bareback; Rider, 106, Nude; White Horse Clinton
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Plate 617. Canter; Bareback; Rider, 106, Nude; White Horse Clinton
3950593 Plate 617. Canter; Bareback; Rider, 106, Nude; White Horse Clinton, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.4x33.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume IX, Horses); gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 23659718
© gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Canter Cantering Early Motion Picture Sequence Frames Motion Ride Sequence Sequential Stop Motion White Horse B W Photo Black And White Photograph
10"x8" Mount with 8"x6" Print
Experience the timeless beauty of art with Media Storehouse's Mounted Photos featuring Plate 617, Canter; Bareback; Rider, 106, Nude; White Horse Clinton by Eadweard Muybridge. This iconic image, captured in 1885, showcases a nude rider in action on a white horse during a canter. The collotype on paper from the Addison Gallery of American Art brings an authentic, vintage feel to any space. Elevate your home or office décor with this stunning piece of historical art.
Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.
Photo prints supplied in custom cut card mount ready for framing
Estimated Image Size (if not cropped) is 20.3cm x 13.8cm (8" x 5.4")
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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This photograph, titled "Plate 617. Canter; Bareback; Rider, 106, Nude; White Horse Clinton" captures a mesmerizing moment frozen in time by the renowned photographer Eadweard Muybridge. The image is part of his groundbreaking series "Animal Locomotion" from 1887, which revolutionized the study of movement through sequential photography. In this particular frame, we witness a daring equestrian adventure as a nude male rider gracefully maneuvers atop a magnificent white horse named Clinton. The raw beauty of their connection is evident as they engage in an exhilarating canter across an open field. Muybridge's scientific approach to capturing motion allows us to appreciate every detail of this dynamic scene. Through stop-motion frames meticulously arranged together, he provides us with an intimate glimpse into the artistry and athleticism involved in horse riding. The composition not only showcases the skillful rider but also highlights the power and elegance of these majestic animals. Their synchronized movements create a harmonious dance between man and beast that transcends mere sport or recreation. Displayed at Addison Gallery of American Art at Phillips Academy in Andover, MA, USA, this collotype print serves as both an artistic masterpiece and a valuable scientific document. It reminds us of our deep connection with nature while celebrating human achievement in understanding animal locomotion. As we gaze upon this remarkable photograph captured over a century ago, we are transported to another era where science meets artistry and where horses become symbols of grace
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