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Mounted Print : The Visitation (Painting, 1743)
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The Visitation (Painting, 1743)
LRI4695720 The Visitation (Painting, 1743) by Amigoni, Jacopo (c. 1675-1752); Santa Maria della Fava, Venice, Italy; (add.info.: The Visitation Painting by Jacopo Amigoni (1675-1752) 1743 Venice, Church of Santa Maria della Fava, Italy); Luisa Ricciarini; Italian, out of copyright
Media ID 22827602
© Luisa Ricciarini / Bridgeman Images
Call Encounter Pregnancy Pregnant Woman Saint Elisabeth
10"x8" Mount with 8"x6" Print
Bring the timeless beauty of art into your home with Media Storehouse's Mounted Photos. Feast your eyes on the captivating details of "The Visitation" (LRI4695720), a masterpiece by Jacopo Amigoni painted in 1743. This exquisite artwork, originally housed in Santa Maria della Fava in Venice, Italy, is now available as a high-quality mounted photo. Each print is meticulously produced to preserve the rich colors and intricate brushstrokes of the original painting. Elevate your decor and add a touch of history to any room with this stunning work of art.
Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.
Photo prints supplied in custom cut card mount ready for framing
Estimated Image Size (if not cropped) is 11.4cm x 20.3cm (4.5" x 8")
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The Visitation (Painting, 1743) by Jacopo Amigoni captures a profound encounter between two extraordinary women - the Virgin Mary and Saint Elisabeth. This stunning print, expertly reproduced from the original fresco in the Church of Santa Maria della Fava in Venice, Italy, allows us to appreciate Amigoni's mastery of artistry and storytelling. In this biblical scene, we witness a momentous meeting as Mary visits her cousin Elisabeth during their respective pregnancies. The painting beautifully portrays the tender connection between these expectant mothers, emphasizing their shared joy and divine purpose. The angelic presence hovering above them adds an ethereal touch to this sacred encounter. Amigoni's attention to detail is evident throughout the composition; every brushstroke brings life to each figure and evokes a sense of reverence. The vibrant colors and soft lighting create an atmosphere that transports viewers back to 18th-century Italy. Luisa Ricciarini has skillfully captured this iconic artwork through her lens, preserving its beauty for generations to come. As we gaze upon this print, we are reminded not only of the religious significance but also of the enduring power of family bonds and faith. This piece serves as a testament to both Amigoni's artistic prowess and Ricciarini's talent for capturing timeless masterpieces on film.
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