Metal Print : A village on the river Prah during the 2nd Ashanti War
Metal Prints from Mary Evans Picture Library
A village on the river Prah during the 2nd Ashanti War
On their march towards the Ashanti capital of Kumasi, British soldiers watch the peaceful scene of women catching fish and tritons in the river Prah. The British crossed this river in their fight against the King of the Ashanti. In 1873, after decades of an uneasy relationship between the British and the Acing people of central Ghana, the British attacked and virtually destroyed the Asanti capital of Kumasi, and officially declared Ghana a crown colony on 24 July 1874
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Media ID 4398623
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10221744
1873 1874 Acing Asanti Ashanti Attacked Capital Catching Colony Crossed Decades Declared Destroyed Fight Ghana Kumasi Officially Peaceful Prah Relationship Tritons Uneasy Virtually Watch
15"x10" (38x25cm) Metal Print
Step back in time with our exquisite Metal Prints from Media Storehouse, featuring this captivating image of a tranquil village scene on the River Prah during the 2nd Ashanti War. Witness the serene moment as British soldiers pause to observe the daily life of local women, who skillfully catch fish and tadpoles in the crystal-clear waters. This evocative image, sourced from Mary Evans Prints Online, is now available as a high-quality Metal Print, adding a unique and stylish touch to your home or office decor. Experience the rich history and culture of the past, brought to life in vivid detail and brilliant color. Order now and bring this stunning piece of history into your space.
Your image is printed photographically and bonded to a 3.5mm thick, Dibond board (black polyethylene sandwiched between two sheets of white coated aluminium). The panel is then sealed with a gloss protective covering. Supplied complete with a wall mount which holds the print 10mm from the wall.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 38.1cm x 25.4cm (15" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This evocative image captures a moment of tranquility amidst the turbulent backdrop of the 2nd Ashanti War. The serene scene on the banks of the River Prah in central Ghana shows women skillfully catching fish and tritons, oblivious to the impending conflict that would soon disrupt their daily lives. In the distance, British soldiers watch over the peaceful scene, their gaze fixed on the river as they prepare to cross it in their march towards the Ashanti capital of Kumasi. The year was 1873, and the relationship between the British and the people of Ashanti had grown increasingly uneasy. Tensions had been simmering for decades, and after years of diplomatic efforts to maintain the peace, the British ultimately decided to take military action. In July of that year, they attacked and virtually destroyed the Ashanti capital, officially declaring Ghana a crown colony on the 24th of that month in 1874. The soldiers in this photograph were among the thousands who crossed the River Prah during the campaign to capture Kumasi. The river, which had once served as a vital trade route between the Ashanti people and their neighbors, now became a strategic military obstacle. The British soldiers' crossing of the river marked a significant turning point in the conflict, bringing them closer to their ultimate goal of conquering the Ashanti kingdom. This historical photograph offers a poignant reminder of the complex and often tumultuous relationship between the British and the Ashanti people during this period in Ghanaian history. The peaceful scene of women fishing in the river is a stark contrast to the violence and destruction that would soon follow, making it all the more poignant and thought-provoking.
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