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Metal Print : Victorian Wallpaper - in popular emerald green - which contained poisonous arsenic

Victorian Wallpaper - in popular emerald green - which contained poisonous arsenic



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Victorian Wallpaper - in popular emerald green - which contained poisonous arsenic

Victorian Wallpaper - in popular emerald green - which contained poisonous arsenic. William Morris, famed for his wallpaper designs, was the son of the owner of the largest arsenic producing company in the country. He was sceptical that arsenic was bad for you and held that because he had arsenical wallpaper in his home (and wasn t sick) it had to be something else! Morris did however stop using arsenic in their papers as the result of public pressure, newspaper reports and a general idea that arsenic was toxic, not just when ingested. Date: 19th century

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 20029080

© Mary Evans / The National Archives, London. England

Archives Arsenic Covering Health Poison Poisonous Sample Toxic Wallpaper


20"x20" (51x51cm) Metal Print

Step into the captivating world of Victorian elegance with our Media Storehouse Metal Prints featuring an exquisite emerald green wallpaper design, sourced from Mary Evans Prints Online. This mesmerizing piece, inspired by the legendary William Morris, tells a hidden story of the past. The allure of its rich, verdant hue belies a darker history - the wallpaper once contained poisonous arsenic, a common additive during the Victorian era. Each Metal Print is meticulously crafted to bring out the intricate details of this iconic design, ensuring a stunning addition to your home that tells a story as captivating as the design itself. Embrace the charm of the past while adding a modern twist with our high-quality, long-lasting Metal Prints.

Your image is printed photographically and bonded to a 3.5mm thick, Dibond board (black polyethylene sandwiched between two sheets of white coated aluminium). The panel is then sealed with a gloss protective covering. Supplied complete with a wall mount which holds the print 10mm from the wall.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 50.8cm x 50.8cm (20" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This photograph showcases a vintage sample of Victorian-era emerald green wallpaper, a popular choice during the 19th century. The allure of this exquisite design, with its intricate floral motifs, transports us back in time to an era of opulence and elegance. However, this seemingly beautiful adornment holds a hidden, dark secret. The emerald hue of this wallpaper was achieved through the use of a notorious ingredient: arsenic. At the time, arsenic was a common additive in wallpaper production, adding vibrancy and longevity to the designs. However, its inclusion came with a steep price. William Morris, a renowned figure of the Victorian era, was the son of the owner of the largest arsenic producing company in the country. Despite the mounting evidence of arsenic's toxicity, Morris, who was also a prominent designer, remained skeptical. He believed that because he and his family were not showing any signs of illness, the arsenic in their wallpaper could not be the cause. However, public pressure, newspaper reports, and a growing awareness of arsenic's toxicity eventually led Morris to abandon the use of arsenic in his wallpaper designs. The truth about the dangers of arsenic was beginning to spread, and the public demanded safer alternatives. This photograph serves as a stark reminder of the complex relationship between beauty, innovation, and health during the Victorian era. Though the emerald green wallpaper may have once been a symbol of wealth and sophistication, it now stands as a testament to the hidden costs of progress.

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