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Metal Print : The Deposition, 1655 (oil on canvas)
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The Deposition, 1655 (oil on canvas)
XIR231244 The Deposition, 1655 (oil on canvas) by La Hyre, Laurent de (1606-56); 125x89 cm; Musee des Beaux-Arts, Rouen, France; French, out of copyright
Media ID 12766642
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Crucifixion Dead Christ Descent From The Cross Joseph Of Arimathaea Ladder Mary Magdalene Passion
15"x10" (38x25cm) Metal Print
Bring the timeless beauty of Old Master art into your home with Media Storehouse Metal Prints. This exquisite piece features "The Deposition," a 1655 oil on canvas painting by Laurent de La Hyre, available through Bridgeman Images from Fine Art Finder. Each Metal Print is meticulously crafted with a vibrant, long-lasting image transferred onto a sturdy aluminum sheet, ensuring a stunning, museum-quality display. Embrace the rich history and intricate details of this masterpiece, now transformed into a modern and elegant art piece for your space.
Your image is printed photographically and bonded to a 3.5mm thick, Dibond board (black polyethylene sandwiched between two sheets of white coated aluminium). The panel is then sealed with a gloss protective covering. Supplied complete with a wall mount which holds the print 10mm from the wall.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 25.4cm x 38.1cm (10" x 15")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases "The Deposition" by Laurent de La Hyre, a renowned French artist from the 17th century. Painted in 1655, this oil on canvas masterpiece measures 125x89 cm and is currently housed at the Musee des Beaux-Arts in Rouen, France. "The Deposition" depicts the poignant moment after Jesus' crucifixion when his body is being taken down from the cross. The composition exudes a sense of sorrow and grief as Mary Magdalene, the Virgin Mary, and Joseph of Arimathaea tenderly lower Christ's lifeless form onto a ladder. The painting beautifully captures their expressions of anguish and devotion. La Hyre's attention to detail is evident in every brushstroke; he skillfully portrays the delicate features of each figure with precision. The use of light and shadow adds depth to the scene, emphasizing its emotional impact. This print allows art enthusiasts to appreciate La Hyre's mastery even if they cannot visit Musee des Beaux-Arts personally. It serves as a reminder of both the artistic brilliance that emerged during this period and the enduring power of religious themes in art history.
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