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Metal Print : Self-Portrait, c. 1630 (oil on canvas)
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Self-Portrait, c. 1630 (oil on canvas)
XOS744793 Self-Portrait, c. 1630 (oil on canvas) by Leyster, Judith (1600-60); 74.6 x 65.1 cm; National Gallery of Art, Washington DC, USA; Dutch, out of copyright
Media ID 12817583
© www.bridgemanart.com
Brush Brushes Collar Easel Palette Violin
20"x16" (51x41cm) Metal Print
Bring the timeless beauty of Old Masters art into your home with Media Storehouse Metal Prints. Our high-quality reproduction of Judith Leyster's Self-Portrait, c. 1630 showcases the intricate details and vibrant colors of the original oil on canvas painting from the National Gallery of Art. Each Metal Print is printed on a lightweight, rust-free aluminum sheet with a sleek, modern finish. The vivid colors and sharp details are sealed beneath a protective coating, ensuring your print remains vibrant and resistant to fading. Add a touch of history and elegance to any room with this stunning work of art from the Dutch Golden Age.
Your image is printed photographically and bonded to a 3.5mm thick, Dibond board (black polyethylene sandwiched between two sheets of white coated aluminium). The panel is then sealed with a gloss protective covering. Supplied complete with a wall mount which holds the print 10mm from the wall.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this self-portrait by Judith Leyster, we are transported back to the 17th century and given a glimpse into the world of a talented female artist. Leyster's skillful use of oil on canvas brings her image to life, capturing her essence with every brushstroke. Dressed in an elegant costume adorned with lace collar and cap, Leyster exudes confidence and grace. Her piercing gaze meets ours as she holds a palette and brushes in one hand, showcasing her mastery over the art of painting. The other hand delicately rests on an easel, suggesting that she is mid-creation or perhaps contemplating her next stroke. Behind her stands a violin player, adding an element of intrigue to the composition. Is it symbolic? Does it represent harmony between different forms of art? Or is it simply a reflection of Leyster's love for music? Regardless, this self-portrait speaks volumes about Leyster's talent and determination as a woman in the male-dominated field of art during that era. It serves as both a celebration of her own achievements and an inspiration for future generations. Now housed at the National Gallery of Art in Washington DC, this print allows us to appreciate not only Leyster's artistic prowess but also serves as a reminder that women have always played significant roles in shaping our cultural heritage.
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