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Metal Print : Geography. Japan. The Morning glow at the Nihonbashi (1st station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834). Postcard, Japan, c.1900 (postcard)
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Geography. Japan. The Morning glow at the Nihonbashi (1st station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834). Postcard, Japan, c.1900 (postcard)
3434285 Geography. Japan. The Morning glow at the Nihonbashi (1st station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834). Postcard, Japan, c.1900 (postcard) by Hiroshige, Ando or Utagawa (1797-1858) (after); (add.info.: Coll. Part. Geography. Japan. The Morning glow at the Nihonbashi (1st station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834). Postcard, Japan, ca 1900.); Photo © CCI
Media ID 33095208
© © CCI / Bridgeman Images
Ando Hiroshige Beaux Arts Calligraphed Calligraphic Calligraphy Edo Period Edo Period 1603 1868 Estampe Fine Arts Hiroshige Ando 1797 1858 Hiroshige Ando Or Utagawa 1797 1858 Japanese Print Pont Tokugawa Period Tokyo Tokyo Prefecture Ukiyo E Utagawa Hiroshige Art Style Asiae Asie Inhabitant Peinture
15"x10" (38x25cm) Metal Print
Bring the timeless beauty of Japanese woodblock art into your home with our Media Storehouse Metal Prints. This captivating image, titled "The Morning Glow at Nihonbashi (1st Station)" is a woodcut by the renowned artist Hiroshige, taken from his famous series "Fifty-Three Stations of the Tokaido" (1833-1834). Depicting the tranquil morning scene at the Nihonbashi Bridge in Edo, Japan, this postcard-inspired print transports you to a bygone era. Our high-quality Metal Prints offer vibrant colors, stunning detail, and a modern, sleek look that adds a unique touch to any space. Experience the rich cultural heritage of Japan with this beautiful work of art.
Your image is printed photographically and bonded to a 3.5mm thick, Dibond board (black polyethylene sandwiched between two sheets of white coated aluminium). The panel is then sealed with a gloss protective covering. Supplied complete with a wall mount which holds the print 10mm from the wall.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 38.1cm x 25.4cm (15" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite woodcut by Hiroshige titled "The Morning Glow at the Nihonbashi (1st station)" from his renowned series, Fifty Three Stations of the Tokaido. Created between 1833 and 1834, this postcard captures a moment in time during Japan's early twentieth century. The image depicts a vibrant scene with vivid colors that bring to life the bustling cityscape of Tokyo. The iconic Nihonbashi Bridge takes center stage, spanning gracefully over a river adorned with boats and surrounded by an array of buildings and structures. The delicate calligraphy adds an elegant touch, inscribing words that further enhance the visual narrative. Hiroshige's ukiyo-e style is evident in this artwork, showcasing his mastery in capturing everyday scenes with great detail and precision. As one of Japan's most celebrated artists, Hiroshige beautifully portrays both natural landscapes and urban environments throughout his body of work. This piece not only serves as a testament to Hiroshige's artistic brilliance but also provides us with a glimpse into Japan's rich cultural heritage. It reminds us of the country's historical significance while highlighting its rapid modernization during the late nineteenth century. As we admire this remarkable print captured on a postcard from c. 1900, we are transported back in time to experience firsthand the beauty and allure of old-world Japan through Hiroshige's masterful creation.
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