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Metal Print : Quest for the Holy Grail Tapestries - Panel 3 - The Failure of Sir Gawaine
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Quest for the Holy Grail Tapestries - Panel 3 - The Failure of Sir Gawaine
BIR100730 Quest for the Holy Grail Tapestries - Panel 3 - The Failure of Sir Gawaine; Sir Gawaine and Sir Uwaine at the Ruined Chapel, 1895-96 (textile) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info.: Designers: Sir Edward Burne-Jones, William Morris, John Henry Dearle
Manufacturer: Morris & Co); English, out of copyright
Media ID 22607584
© Bridgeman Images
King Arthur Round Table Pre Raphaelite
20"x16" (51x41cm) Metal Print
Bring the enchanting world of medieval legend to your home with our Media Storehouse Metal Prints featuring Bridgeman Images' Quest for the Holy Grail Tapestries - Panel 3: The Failure of Sir Gawaine. This exquisite artwork, created by the renowned artist Burne-Jones in 1895-96, depicts Sir Gawaine and Sir Uwaine at the ruins of a chapel. The intricate tapestry design comes alive on our high-quality metal prints, adding a touch of history and artistry to any room. Experience the rich colors and details as if you were there on a quest for the Holy Grail.
Your image is printed photographically and bonded to a 3.5mm thick, Dibond board (black polyethylene sandwiched between two sheets of white coated aluminium). The panel is then sealed with a gloss protective covering. Supplied complete with a wall mount which holds the print 10mm from the wall.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite "Quest for the Holy Grail Tapestries - Panel 3 - The Failure of Sir Gawaine" by Edward Coley Burne-Jones. Created in 1895-96, this textile masterpiece is a collaboration between renowned designers Sir Edward Burne-Jones, William Morris, and John Henry Dearle. In this particular panel, we witness the dramatic scene where Sir Gawaine and Sir Uwaine find themselves at a ruined chapel during their quest. Bathed in moonlight, they stand tall in their armor as they confront their failure to achieve their noble mission. The image beautifully captures the essence of Arthurian legend with its depiction of King Arthur's Round Table and knights adorned in shining armor. The Pre-Raphaelite style employed by Burne-Jones adds an ethereal quality to the artwork, enhancing its mythical allure. Notably, horses play a significant role in this composition. A majestic steed stands beside each knight, symbolizing strength and loyalty amidst adversity. These animals add a touch of wildlife to the scene while also representing farm animals commonly associated with medieval times. Displayed at Birmingham Museums and Art Gallery, this print transports viewers back to an era steeped in chivalry and honor. It serves as a reminder that even great heroes like Sir Gawaine can experience setbacks on their quests for greatness.
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