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Metal Print : Trees on a Rocky Hillside, c. 1849 (oil on canvas)

Trees on a Rocky Hillside, c. 1849 (oil on canvas)



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Trees on a Rocky Hillside, c. 1849 (oil on canvas)

499717 Trees on a Rocky Hillside, c.1849 (oil on canvas)
by Durand, Asher Brown (1796-1886); 64.77x83.18 (framed) 42.5x61.3 (unframed) cm; Cleveland Museum of Art, OH, USA; (add.info.: Inspired by the pictures of Thomas Cole (also in this gallery), a forty-four- year-old Durand abandoned his career as an engraver and turned to landscape painting. While Coles paintings moralize and reflect on the meaning of history, Durand adopted a more straight-forward realism based on his close, intense observation of nature. Tress on a Rocky Hillside is an early example of a true outdoor sketch and reveals how this new practice led to effects that look strikingly different from earlier landscapes. Rocks and trees are cropped in an unusual manner, and light is diffused and scattered, as it really appears in nature. Compared with the grand panoramas of the Hudson River School, Durands painting seems refreshingly free from formula or convention.
); Mr. and Mrs. William H. Marlatt Fund; American, out of copyright

Media ID 23553584

© Mr. and Mrs. William H. Marlatt Fund / Bridgeman Images

Boulder Boulders Hudson River School Rocks Rocky


15"x10" (38x25cm) Metal Print

Bring the timeless beauty of nature into your home with our Media Storehouse Metal Prints. This exquisite artwork, "Trees on a Rocky Hillside, c.1849" by Asher Brown Durand, showcases the majestic elegance of trees standing proudly on a rocky hillside. The intricate details of the oil on canvas painting, originally housed in the Cleveland Museum of Art, are brilliantly captured in our high-definition metal prints. The vibrant colors and stunning textures are sure to captivate your senses, making it a perfect addition to any room in your home or office. Experience the art of the past, transformed into a modern masterpiece with Media Storehouse Metal Prints.

Your image is printed photographically and bonded to a 3.5mm thick, Dibond board (black polyethylene sandwiched between two sheets of white coated aluminium). The panel is then sealed with a gloss protective covering. Supplied complete with a wall mount which holds the print 10mm from the wall.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 38.1cm x 25.4cm (15" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Andre Charles Boulle

> Fine Art Finder > Artists > Asher Brown Durand

> Fine Art Finder > Landscapes: 18th/19th C

> Animals > Mammals > Muridae > Fortior

> Arts > Art Movements > Landscapes

> Arts > Art Movements > Realism

> Arts > Artists > B > William Brown

> Arts > Artists > C > Thomas Cole

> Arts > Artists > D > Asher Brown Durand

> Arts > Artists > D > Asher Durand

> Arts > Artists > H > Thomas Hudson

> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Contemporary art > Landscapes > Realism


EDITORS COMMENTS
This print showcases Asher Brown Durand's masterpiece, "Trees on a Rocky Hillside" painted around 1849. The oil on canvas artwork, now housed in the Cleveland Museum of Art in Ohio, USA, measures 64.77x83.18 cm when framed and 42.5x61.3 cm unframed. Durand was inspired by the works of Thomas Cole, another renowned artist featured in the same gallery as this piece. At the age of forty-four, Durand decided to abandon his career as an engraver and delve into landscape painting instead. Unlike Cole's moralizing and historical reflections depicted in his paintings, Durand opted for a more straightforward realism approach based on his intense observation of nature. "Trees on a Rocky Hillside" is one of Durand's early examples of true outdoor sketching techniques that resulted in strikingly different effects compared to earlier landscapes. The rocks and trees are cropped unusually while light is diffused and scattered just as it appears naturally. In contrast to the grand panoramas commonly associated with Hudson River School artists like Cole, Durand's painting feels refreshingly free from formula or convention. It exudes a sense of freedom and authenticity brought about by his close connection with nature during its creation. This print serves as a testament to Durand's skillful ability to capture the beauty and essence of nature through artistry that transcends time.

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