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The first ever "Notting Hill carnival", created in response to the previous

The first ever 'Notting Hill carnival', created in response to the previous


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The first ever "Notting Hill carnival", created in response to the previous

The first ever " Notting Hill carnival", created in response to the previous years racial riots in the area and the state of race relations at the time.
The carnival, organised by Claudia Jones, was known as the Caribbean carnival or the West Indian Gazette Carnival and was held indoors at St. Pancras Town Hall.
It would not be until 1964 that the carnival would move outside onto the streets of Notting Hill.
Picture shows: A woman dressed up for the event with floral hat.
30th January 1959

Monte Fresco
Daily Mirror
Mirrorpix
London
England

Media ID 21581294

© Mirrorpix

Afro Carribean Bame Busy Carnival Carribean Dance Ethnic Festivals Immigration Minority Notting Hill Only Women Three People West Indian Mid Adult Women Mixed Age Range


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EDITORS COMMENTS
This print captures the essence of the first-ever "Notting Hill Carnival" held in response to the racial tensions and riots that plagued the area in previous years. Organized by Claudia Jones, this Caribbean carnival, also known as the West Indian Gazette Carnival, took place indoors at St. Pancras Town Hall during its inaugural year in 1959. In this snapshot from history, we see a vibrant woman adorned in an exquisite costume and wearing a magnificent floral hat specially crafted for this momentous event. Her attire reflects the rich cultural heritage of Afro-Caribbean traditions and celebrates diversity amidst challenging times. The image not only showcases her striking outfit but also hints at the lively atmosphere that must have permeated throughout the carnival. The anticipation is palpable as she stands alongside two other women who are equally immersed in their own unique ensembles. It is remarkable to think that it would take another five years before this extraordinary celebration spilled out onto the streets of Notting Hill, where it has since become one of London's most iconic events. This photograph serves as a testament to both resilience and progress within race relations during mid-20th century Britain. Preserved through Monte Fresco's lens, this snapshot offers us a glimpse into an era defined by immigration, ethnic festivals, and unity among minority communities. It reminds us of how far we have come while inspiring us to continue fostering inclusivity and embracing our shared cultural heritage.

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