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Portrait studies by Raymond Sheppard
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Portrait studies by Raymond Sheppard
Portrait studies (including a self portrait) by Raymond Sheppard. Artist Raymond Sheppard (1913 - 1958) studied art at Bolt Court under S.G. Boxsius and in addition to exhibiting work at the R.A, R.I and R.S.A worked regularly for publications including Lilliput, The Studio, Picture Post, John Bull and Everybodys in addition to illustrating childrens books, nature books and calendar."
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Media ID 4444885
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10295669
Arm Chair Bows Brother Drawings Illustrator Pig Tails Posing Raymond Sheppard Sister Sketches Studies Sucking Sucks Thumb
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This collection of portrait studies by the talented British artist Raymond Sheppard showcases his remarkable ability to capture the essence and character of his subjects with great depth and sensitivity. The image features a young girl sitting in an armchair, deep in thought as she poses for the artist. Her expression is thoughtful and introspective, her pig tails cascading over her shoulders. The artist himself is seen in a self-portrait, seated in a similar chair with a sketchpad on his lap and a pencil in hand, lost in the creative process. Raymond Sheppard (1913-1958) was a prolific and versatile artist who studied under S.G. Boxsius at Bolt Court. He exhibited his work at the Royal Academy, Royal Institute, and Royal Society of Arts, and worked regularly for various publications including Lilliput, The Studio, Picture Post, and John Bull. In addition to illustrating children's books, nature books, and calendars, Sheppard's portraits are a testament to his skill and artistry. The historical context of this image is further emphasized by the presence of a chair, a common prop in portrait studies, and the use of traditional media such as charcoal and graphite. The image also features a young boy, likely the girl's brother, peeking in from the side, adding an element of family and warmth to the scene. The artist's deft touch is evident in the intricate details of the folds in the girl's dress, the texture of the chair, and the subtle shading that brings the subjects to life. These portrait studies are a testament to Sheppard's mastery of the medium and his ability to connect with his subjects, making them timeless works of art.
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