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Oscar Asche as Count Hannibal, by Asche and Norreys Connell
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Oscar Asche as Count Hannibal, by Asche and Norreys Connell
Count Hannibal by F. Norreys Connell (b. 1874) and Oscar Asche (1871 - 1936) from the novel by Stanley John Weyman (1855-1928) written in 1901. It was first produced at the Princes Theatre in Bristol on 18th September 1909 and then at the New Theatre, London on 20th October 1910. The text below the image reads Oscar Asche as Count Hannibal de Tavannes at the New Theatre in St Martins Lane, WC. Date: 1910
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Media ID 14412978
© The Michael Diamond Collection / Mary Evans Picture Library
Asche Austere Bristol Connell Count Doublet Glove Gloves Hannibal Martins Moustache Norreys Oscar Princes Ruff Ruthless Stanley Stern
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EDITORS COMMENTS
This photograph captures Oscar Asche in his iconic role as Count Hannibal de Tavannes, brought to life in the 1910 production of "Count Hannibal" at the New Theatre in St. Martins Lane, WC. The image, taken by F. Norreys Connell, showcases Asche's striking portrayal of the stern, ruthless, and austere count from Stanley John Weyman's 1901 novel of the same name. The production, which premiered at the Princes Theatre in Bristol on September 18, 1909, and later transferred to London, marked a significant moment in Asche's illustrious career. In this image, Asche dons an authentic doublet, ruff, and a pair of black gloves, completing the Count's imposing appearance. His moustache, meticulously groomed, adds to the air of authority and menace that defined his portrayal of the character. "Count Hannibal" is a gripping tale of revenge, passion, and deception, which captivated audiences during its run at the New Theatre. Asche's performance as the title character was widely acclaimed, with critics praising his ability to convey the count's complex emotions and inner turmoil. This photograph serves as a testament to Asche's talent and the enduring impact of "Count Hannibal" on the stage. F. Norreys Connell, a renowned photographer of the time, expertly captured Asche's intensity and presence in this image, making it a valuable document of both the actor's career and the theatrical landscape of the early 20th century.
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