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Portrait of Frances Diana, daughter of Viscount Canterbury
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Portrait of Frances Diana, daughter of Viscount Canterbury
Portrait of Frances Diana, daughter of Charles Manners-Sutton, 1st Viscount Canterbury. Seated on a cushion, she wears her hair in plaits and curls, and wears a dress decorated with lace, ribbons and flowers. Steel engraving by H. Robinson after an illustration by John Bostock from Charles Heaths Portraits of the Children of the Nobility, Longmont, London, 1838
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Media ID 23382044
© Florilegius
Aristocracy Bloomers Bonnet Buccleuch Canterbury Chalon Cook Dalkeith Diana Frances Heath Nobility Queensberry Ribbons Satin Scott Sons Tartan Viscount Walter Douglas
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EDITORS COMMENTS
This exquisite steel engraving, titled "Portrait of Frances Diana, Daughter of Viscount Canterbury," is a beautiful depiction of the young Frances Diana Manners-Sutton, born in 1822. The portrait, created by H. Robinson after an illustration by John Bostock, was published in Charles Heath's "Portraits of the Children of the Nobility" in 1838. Frances Diana is depicted as a young girl, seated on a plush cushion, with her hair styled in intricate plaits and curls. Her dress is adorned with delicate lace, ribbons, and flowers, reflecting the Victorian era's fashion trends for children's clothing. The satin fabric of her dress shines brightly, adding to the overall elegance of the portrait. Frances Diana was the daughter of Charles Manners-Sutton, 1st Viscount Canterbury, and was the sister of several notable aristocrats, including the 5th Duke of Buccleuch, the 7th Earl of Queensberry, and the Hon. William Henry John Scott, among others. Her brothers, dressed in tartan attire, are depicted in other portraits in the same publication, including the Hon. Alfred Edward, the Hon. John Walter, and the Hon. Charles Scott Douglas. The portrait's intricate details and attention to fashion trends of the time make it a fascinating glimpse into the lives of the Victorian aristocracy's children. Notable artists of the time, such as Alfred Edward Chalon and Edward Henry Corbould, also contributed to the publication, making it an essential collection for those interested in Victorian portraiture and the lives of the nobility.
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