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Marconi EMI Emitron Camera System of Television
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Marconi EMI Emitron Camera System of Television
Marconi EMI Emitron Camera System of Television, showing the film projector and the camera used in the televising of films. Date: 1937
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Broadcasting Camera Films Marconi Media Projector System Technology Television 1937
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This photograph showcases the Marconi EMI Emitron Camera System of Television, a groundbreaking innovation in media technology that revolutionized the way films were televised during the 1930s. The Marconi EMI Emitron System, developed by the Marconi Company and the Electrical and Musical Industries (EMI) Ltd., was a significant advancement in television technology that allowed for the live transmission of films. The image reveals the intricate details of the Emitron Camera System, featuring the camera itself and the film projector. The Emitron Camera, with its large, bulky design, was a far cry from the sleek, compact cameras we know today. Its complex machinery housed an image dissector tube, which converted the images from the film into electrical signals that could be transmitted over the airwaves. The film projector, placed adjacent to the camera, was used to feed the film frame by frame into the camera for transmission. This system enabled the televising of films, providing viewers with a new form of entertainment that combined the magic of cinema with the convenience of being able to watch it from their own homes. The Marconi EMI Emitron Camera System of Television represented a major milestone in the history of television broadcasting. Its introduction marked the beginning of a new era in media, paving the way for the development of more advanced television technology and ultimately leading to the widespread availability of television in homes around the world. This photograph offers a fascinating glimpse into the past, showcasing the intricacies of the technology that brought moving images into people's living rooms for the very first time. The Marconi EMI Emitron Camera System of Television stands as a testament to the ingenuity and innovation of the 1930s, a time when the boundaries of what was possible in media and technology were being continually pushed and redefined.
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