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John III, Count of Astarac, d. 1458
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John III, Count of Astarac, d. 1458
John III, Count of Astarac, commander in chief to King Charles VII, Jean III comte d Astarac, d. 1458. Golden coat lined with ermine, yellow jacket and white shirt. Handcoloured lithograph by Leopold Massard after a figure in a tapestry of the story of Esther and Mordecai in Roger de Gaignieres portfolio VI 126 from Le Bibliophile Jacob aka Paul Lacroixs Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852
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Media ID 23155278
© Florilegius/Mary Evans
Bibliophile Chief Comte Count Esther Historiques Jacob Lacroix Mordecai Tapestry
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In this striking hand-colored lithograph, we find John III, Count of Astarac (1397-1458), depicted in regal attire, standing proudly before an ornate background. Known as the commander-in-chief to King Charles VII of France, Astarac's importance to French history is evident in this image. The Count wears a golden coat, richly lined with the fur of ermine, signifying his high rank and noble status. Over the coat, he dons a yellow jacket, adding a splash of color to the otherwise monochromatic ensemble. A pristine white shirt adorns his chest, completing the upper part of his attire. The portrait is based on a figure in a tapestry from the collection of Roger de Gaignières, which was published in the "Historical Costumes of France" portfolio by Le Bibliophile Jacob (also known as Paul Lacroix) in 1852. The intricate details of the Count's clothing and the delicate shading in the lithograph showcase the exceptional craftsmanship of the time. Interestingly, the Count is not depicted in a traditional setting for a noble portrait. Instead, he is shown amidst the biblical story of Esther and Mordecai. The Count's presence in this context is not explicitly explained, leaving room for interpretation. Perhaps the connection between Astarac and the story is meant to highlight his courage, wisdom, and unwavering loyalty, much like the characters of Esther and Mordecai. Despite the mysterious connection to the biblical tale, this portrait beautifully encapsulates the grandeur and sophistication of the 15th century, making it a fascinating glimpse into the past.
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