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Cupid presenting the colours before the King
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Cupid presenting the colours before the King
Cupid presenting the colours before the King. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess Elizabeth from Thomas Parks Cupid Turned Volunteer, London, 1804
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Media ID 23382510
© Florilegius
Abbildungen Butterfly Christoph Colours Cupid Entomology Esper Eugenius Georg Johan Johann Lepidoptera Major Metamorphosis Moth Nach Natur Pavonia Presenting Saturnia Schmetterlinge Sturm
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Cupid Presenting the Colours: A Whimsical Depiction of Mythology and Nature's Transformation This beautiful handcoloured copperplate engraving by William Nelson Gardiner, after an illustration by Princess Elizabeth, depicts a charming scene of Cupid, the Roman god of love, presenting the colours to an Emperor or King. The image, titled "Cupid Turned Volunteer," was published in London in 1804 by Thomas Parks. The central figure of the composition is Cupid, who is shown in his traditional form as a winged, chubby, and mischievous boy. He is dressed as a soldier, wearing a red military jacket and holding a flag with the emblems of Saturnia (Saturn) and Pavonia (Love) in his hands. The King, dressed in royal robes and a crown, sits on a throne, looking intently at the colours presented by Cupid. Surrounding the main figures are various butterflies, including a Moth and a Male and Female Major, depicted in exquisite detail. These butterflies are likely included as a reference to the entomological interests of the time, showcasing the natural world's beauty and transformation through metamorphosis. The intricate engraving technique and the vibrant colours add to the whimsical and fantastical nature of the scene, transporting the viewer to a world where mythology and nature intertwine. The image is reminiscent of the works of naturalists and entomologists like Johan Georg Sturm, Eugenius Johann Christoph Esper, and their contemporaries, who were fascinated by the study of insects and the wonders of the natural world. Overall, this print is a testament to the enduring appeal of mythology and the natural world, and the beauty that lies in their intersection.
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