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The Admiralty Office, the Sailing Match and the Drowned Boy
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The Admiralty Office, the Sailing Match and the Drowned Boy
The Admiralty Office, the Sailing Match and the Drowned Boy. The Admiralty Office of the Navy on Whitehall 61, sailboats racing on the River Thames from Blackfriars Bridge to Vauxhall in a Sailing Match 62 and young man retrieving the body of a boy who had drowned in a swimming accident in the river 63. Woodcut engraving after an illustration by Isaac Taylor from City Scenes, or a Peep into London, by Ann Taylor and Jane Taylor, published by Harvey and Darton, Gracechurch Street, London, 1828. English sisters Ann and Jane Taylor were prolific Romantic poets and writers of childrens books in the early 19th century
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Media ID 23392152
© Florilegius
Admiralty Architect Capital Coach Darton Drowned Educational Engineer Geography Harvey Isaac Jane Mail Martins Match Office Peep Rennie Romantic Sisters Southwark Taylor Tourist Trades Waterloo Woodblock Woodcut Childrens
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EDITORS COMMENTS
This woodcut engraving, titled 'The Admiralty Office, the Sailing Match and the Drowned Boy,' offers a glimpse into the vibrant and diverse life along the River Thames in 19th century London. The image, created by Isaac Taylor after an illustration in 'City Scenes, or a Peep into London' by Ann and Jane Taylor, published in 1828, showcases three distinct scenes merged into one. At the heart of the print lies the imposing figure of the Admiralty Office on Whitehall 61, a symbol of the British Navy's power and authority. In the foreground, sailboats race against each other on the River Thames from Blackfriars Bridge to Vauxhall in a Sailing Match, reflecting the city's love for recreational activities and competitive spirit. The excitement of the race is palpable as spectators on the banks cheer and a general post office boat, Southwark Bridge, and a Waterloo stage coach pass by, showcasing the various modes of transportation available during the era. Tragedy strikes in the third scene as a young man reaches out to retrieve the body of a drowned boy from the river, a poignant reminder of the ever-present danger lurking beneath the water's surface. The image encapsulates the contrasting emotions of joy, excitement, and sadness that coexisted in the bustling city of London during this period. The intricate details of the woodcut engraving, from the architectural features of the Admiralty Office to the intricacies of the sailboats and the expressions on the faces of the onlookers, reveal the skill and artistry of Isaac Taylor and the educational value of Ann and Jane Taylor's work. This print offers a unique window into the history, culture, and daily life of 19th century London.
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