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MEUNG, Jean de (1240-1305); Philip IV the Fair, of France (1
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MEUNG, Jean de (1240-1305); Philip IV the Fair, of France (1
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Media ID 8266303
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10210671
1240 1268 1305 1314 Anicius Boethius Manlius Philip Severinus Aisa
EDITORS COMMENTS
This evocative image captures a pivotal moment in the complex relationship between Jean de Meung (1240-1305) and King Philip the Fair of France (1268-1314). Jean de Meung, a renowned French poet and philosopher, is best known as the primary author of the "Roman de la Rose," an influential allegorical poem that critiques courtly love and society. In this print, Jean de Meung is depicted presenting a copy of his magnum opus to the king, who is seen holding a copy of Boethius' "Consolation of Philosophy," another seminal work of Western literature. The historical context of this scene is significant. In 1283, Jean de Meung began writing the continuation of the "Roman de la Rose," which was originally authored by Guillaume de Lorris in 1230. The continuation expanded upon the original work, adding a more critical perspective on courtly love and society. However, the addition of explicit and scathing satire of the French court did not sit well with King Philip, who was known for his pursuit of beauty and refinement. In 1303, Jean de Meung was summoned to the royal court to answer for the offensive content in his work. The poet was subsequently imprisoned for several years, during which time he continued to write and revise his masterpiece. This print likely depicts the moment of reconciliation between the poet and the king, with Jean de Meung presenting his work to the monarch in the hope of gaining his favor. The image also features portraits of other influential figures of the time, including Manlius Anicius Severinus Boethius and Saint Jerome. The inclusion of these figures underscores the intellectual and philosophical depth of the work and the esteemed company that Jean de Meung kept. Overall, this print is a testament to the enduring power of literature and the complex dynamics of the relationship between artists and their patrons.
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