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William Le Marchant Porret William Le Marchant Chiseled on supporting column on back
Wall Art and Photo Gifts from Liszt Collection
William Le Marchant Porret William Le Marchant Chiseled on supporting column on back
William Le Marchant Porret William Le Marchant Chiseled on supporting column on back of bust: " London." Signed by chisel on supporting column on back of bust: " Nollekens Ft.", Joseph Nollekens, 1737-1823, British
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12646365
© Quint Lox Limited
1745 1750 1755 Antwerpen Engraved Front Great Britain John Locke Marylebone Sculptor Unknown Unknown Artist Socle
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EDITORS COMMENTS
This print showcases a magnificent bust of William Le Marchant Porret, skillfully chiseled by the renowned British sculptor Joseph Nollekens. The exquisite craftsmanship is evident in every detail, as the artist's signature "Nollekens Ft" proudly adorns the supporting column on the back of the bust. The photograph also reveals an intriguing inscription on the same column, which reads "London" hinting at both the origin and significance of this remarkable artwork. The image captures not only the beauty of Porret's likeness but also provides a glimpse into 18th-century London and its thriving artistic scene. The engraving on the front plate further adds to this enigmatic piece, with references to Antwerpen (Antwerp) and Great Britain suggesting connections beyond national borders. Although attributed to an unknown artist, their talent shines through in capturing Porret's essence with such precision. Displayed atop a sturdy socle, this striking sculpture commands attention and invites contemplation. Its presence evokes curiosity about William Le Marchant Porret himself - who he was, what he achieved - leaving viewers eager to delve deeper into his story. As part of Liszt Collection's vast array of historical prints, this particular photograph preserves not only a significant work of art but also serves as a window into history itself. It stands as a testament to both Nollekens' mastery and Porret's enduring legacy within British society during that era.
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