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[Study of Muscular Action: Young Man Leaning on a Horses Leg]
![[Study of Muscular Action: Young Man Leaning on a Horses Leg]](/p/694/study-muscular-action-young-man-leaning-horses-12651749.jpg.webp "[Study of Muscular Action: Young Man Leaning on a Horses Leg]")
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[Study of Muscular Action: Young Man Leaning on a Horses Leg]
[Study of Muscular Action: Young Man Leaning on a Horses Leg]; Thomas Eakins, American, 1844 - 1916; 1885; Lantern slide; Image: 4.3 x 4 cm (1 11/16 x 1 9/16 in.), Plate: 8.1 x 10.2 cm (3 3/16 x 4 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12651749
© Quint Lox Limited
1844 1885 1916 Action Eakins Lantern Leaning Slide Study Thomas Thomas Eakins Young Muscular
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EDITORS COMMENTS
This photograph captures a moment frozen in time, showcasing Thomas Eakins' keen eye for detail and his fascination with the study of muscular action. Titled "[Study of Muscular Action: Young Man Leaning on a Horses Leg]" this image is a testament to Eakins' mastery as an American artist. The composition centers around a young man who leans against the powerful leg of a horse. The contrast between their physiques is striking; while the man's body appears delicate and refined, the horse's leg exudes strength and raw energy. Eakins skillfully captures every sinew, muscle, and tendon, highlighting the intricate beauty of both human and equine anatomy. Through this photograph, Eakins invites us to contemplate themes such as power dynamics, trust between man and beast, or even our own mortality. The lantern slide format adds an air of nostalgia to the piece, evoking memories of bygone eras when these slides were used for educational purposes or shared among enthusiasts. As we gaze upon this small but impactful image measuring just 4.3 x 4 cm (1 11/16 x 1 9/16 in. ), we are reminded that art has the ability to transcend time and space. It prompts us to reflect on our own physicality while appreciating Thomas Eakins' artistic brilliance in capturing such profound moments through his lens.
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