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Studies of Saints John the Baptist and Jerome, a Crucifix, and V
Wall Art and Photo Gifts from Liszt Collection
Studies of Saints John the Baptist and Jerome, a Crucifix, and V
Studies of Saints John the Baptist and Jerome, a Crucifix, and Various Heads (recto), Studies of the Christ Child, a Crucifix, and a Dog (verso); Parmigianino (Francesco Mazzola), Italian, 1503 - 1540; Italy, Europe; about 1525 - 1527; Red chalk; 13.5 x 22.1 cm (5 5/16 x 8 11/16 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12656765
© Quint Lox Limited
1503 1525 1527 1540 Baptist Chalk Crucifix Francesco Heads Jerome John Mazzola Parmigianino Saints Studies Various
EDITORS COMMENTS
This print showcases a remarkable artwork by Parmigianino, an Italian artist from the 16th century. Titled "Studies of Saints John the Baptist and Jerome, a Crucifix, and V" this piece is a testament to Parmigianino's exceptional talent and attention to detail. The composition features delicate red chalk sketches on paper measuring 13.5 x 22.1 cm. On the recto side, we see studies of two revered saints - John the Baptist and Jerome - alongside a crucifix and various heads. The intricate lines bring these figures to life, capturing their expressions with astonishing precision. Flipping over to the verso side reveals additional studies by Parmigianino. Here, he explores depictions of the Christ Child, another crucifix, and even includes a charming sketch of a dog. Each element in this composition demonstrates his mastery in capturing human anatomy as well as his ability to infuse emotion into his subjects. Parmigianino's work often displays elongated proportions that lend an elegant gracefulness to his figures—a characteristic that can be observed in this particular piece as well. As you admire this print from Liszt Collection, allow yourself to delve into Parmigianino's world where religious devotion meets artistic brilliance. Experience firsthand how he skillfully captures both physical beauty and spiritual depth through his meticulous use of red chalk on paper—an enduring testament to one of Italy's most celebrated artists.
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