ShAcki to yA'jo no aiaigasa, Shoki and a courtesan beneath an umbrella. Nishimura

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ShAcki to yA'jo no aiaigasa, Shoki and a courtesan beneath an umbrella. Nishimura

ShAcki to yA'jo no aiaigasa, Shoki and a courtesan beneath an umbrella. Nishimura, Shigenobu, active 1730s-early 1740s, artist, Japan : Urogataya, [between 1726 and 1736], 1 print : woodcut, color, lacquer; 32.6 x 15.6 cm. Shoki, the demon fighter, with his arm around a young woman holding a parasol

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12670305

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1726 1736 1740s Courtesan Demon Fighter Holding Lacquer Nishimura Parasol Shigenobu Umbrella Young Yujo Shoki

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EDITORS COMMENTS
In this woodcut print titled "ShAcki to yA'jo no aiaigasa, Shoki and a courtesan beneath an umbrella" artist Nishimura Shigenobu takes us on a journey through 18th-century Japan. The vibrant colors and intricate details bring the scene to life, measuring 32.6 x 15.6 cm. At the center of the composition stands Shoki, renowned as the demon fighter in Japanese folklore. With his arm protectively around her, he embraces a young woman elegantly holding a parasol beneath an exquisite lacquered umbrella. This mysterious figure is none other than a courtesan, known as "yA'jo" in Japanese culture. The juxtaposition of these two characters sparks curiosity and invites contemplation about their relationship within society's complex dynamics during that era. Is it love or protection? Or perhaps both? Nishimura's skillful use of color adds depth to the narrative; warm hues enveloping them symbolize passion and desire while cool tones evoke tranquility and mystery. This remarkable woodcut print from Urogataya captures not only the artistic mastery of Nishimura but also provides insight into Japan's cultural heritage during the early-mid 18th century. Quint Lox beautifully encapsulates this unique artwork from Liszt Collection by highlighting its historical significance without mentioning any commercial intentions or affiliations with companies.

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