Liber Studiorum Plate 23 Ruins Beeston Norfolk

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Liber Studiorum Plate 23 Ruins Beeston Norfolk

Liber Studiorum: Plate 23, Ruins at Beeston, Norfolk: No. 3, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 21.1 x 14.5 cm (8 5/16 x 5 11/16 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18460274

© Liszt Collection

1782 1842 1838 48 Plates Bound Volume John Sell Cotman Liber Studiorum Norfolk Plate 23 Softground Etching Beeston

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> Arts > Artists > C > John Sell Cotman

> Europe > United Kingdom > England > Norfolk > Beeston

EDITORS COMMENTS
This print showcases "Liber Studiorum Plate 23 Ruins Beeston Norfolk" a remarkable piece of art created by John Sell Cotman in 1838. The British artist, born in 1782 and passing away in 1842, employed the technique of softground etching to bring this masterpiece to life. The print is part of a bound volume containing an impressive collection of 48 plates, each one showcasing Cotman's exceptional talent and artistic vision. Measuring at approximately 49.5 x 32 cm (19 1/2 x 12 5/8 in. ), the sheet captures every intricate detail that Cotman meticulously crafted. Plate number twenty-three depicts the ruins at Beeston, Norfolk with great precision and depth. Through his expert use of light and shadow, Cotman transports viewers into a world where time stands still amidst crumbling architecture and overgrown vegetation. As we gaze upon this artwork, we are reminded of the rich history embedded within these ancient ruins. The delicate lines etched onto the plate evoke a sense of melancholy as we contemplate the passage of time and reflect on our own impermanence. This print from Liszt Collection offers us an opportunity to appreciate not only John Sell Cotman's immense talent but also invites us to delve into our own contemplation about beauty found within decayed remnants.

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