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Softground Etching Collection

Softground etching is a versatile and captivating artistic technique that has been employed by various renowned artists throughout history

Background imageSoftground Etching Collection: Liber Studiorum Plate 32 Caernarvon Castle N

Liber Studiorum Plate 32 Caernarvon Castle N
Liber Studiorum: Plate 32, Caernarvon Castle, N. Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Background imageSoftground Etching Collection: Liber Studiorum Plate 28 Caernarvon Castle N

Liber Studiorum Plate 28 Caernarvon Castle N
Liber Studiorum: Plate 28, Caernarvon Castle, N. Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Background imageSoftground Etching Collection: The Lamp, 1890-1891. Creator: Mary Cassatt

The Lamp, 1890-1891. Creator: Mary Cassatt
The Lamp, 1890-1891

Background imageSoftground Etching Collection: The Woods at L Hermitage, Pontoise, 1879. Creator: Camille Pissarro

The Woods at L Hermitage, Pontoise, 1879. Creator: Camille Pissarro
The Woods at L Hermitage, Pontoise, 1879

Background imageSoftground Etching Collection: The Lamp, 1890-1891. Creator: Mary Cassatt (American, 1844-1926)

The Lamp, 1890-1891. Creator: Mary Cassatt (American, 1844-1926)
The Lamp, 1890-1891. The theme of a bourgeois woman " at home, " coiffed and dressed to greet visitors, was a familiar one in Cassatts work

Background imageSoftground Etching Collection: Mary Cassatt at the Louvre: The Paintings Gallery, 1879-1880. Creator: Edgar Degas (French

Mary Cassatt at the Louvre: The Paintings Gallery, 1879-1880. Creator: Edgar Degas (French
Mary Cassatt at the Louvre: The Paintings Gallery, 1879-1880. Degas and his friends Mary Cassatt and Camille Pissarro were all experimental printmakers who combined traditional printmaking techniques

Background imageSoftground Etching Collection: Mary Cassatt at the Louvre: The Etruscan Gallery, 1879-1880. Creator: Edgar Degas (French

Mary Cassatt at the Louvre: The Etruscan Gallery, 1879-1880. Creator: Edgar Degas (French
Mary Cassatt at the Louvre: The Etruscan Gallery, 1879-1880. As in Mary Cassatt at the Louvre, the Paintings Gallery Degas once again depicted Cassatt and her sister Lydia at the Louvre

Background imageSoftground Etching Collection: Liber Studiorum: Plate 31, Conway Castle, N. Wales, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 31, Conway Castle, N. Wales, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 31, Conway Castle, N. Wales, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 21, View in North Wales, 1838. Creator: John Sell Cotman (British

Liber Studiorum: Plate 21, View in North Wales, 1838. Creator: John Sell Cotman (British
Liber Studiorum: Plate 21, View in North Wales, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 17, A Study, 1838. Creator: John Sell Cotman (British, 1782-1842)

Liber Studiorum: Plate 17, A Study, 1838. Creator: John Sell Cotman (British, 1782-1842)
Liber Studiorum: Plate 17, A Study, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 14, Tan-y-Bwlch, Merionethshire, North Wales, 1838. Creator

Liber Studiorum: Plate 14, Tan-y-Bwlch, Merionethshire, North Wales, 1838. Creator
Liber Studiorum: Plate 14, Tan-y-Bwlch, Merionethshire, North Wales, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 15, Cader Iris, North Wales, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 15, Cader Iris, North Wales, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 15, Cader Iris, North Wales, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 12, Dolbadern Castle, Llanberris Lake, North Wales, 1838. Creator

Liber Studiorum: Plate 12, Dolbadern Castle, Llanberris Lake, North Wales, 1838. Creator
Liber Studiorum: Plate 12, Dolbadern Castle, Llanberris Lake, North Wales, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 13, Duncomb Park, Yorkshire: No. 5, 1838. Creator: John Sell Cotman

Liber Studiorum: Plate 13, Duncomb Park, Yorkshire: No. 5, 1838. Creator: John Sell Cotman
Liber Studiorum: Plate 13, Duncomb Park, Yorkshire: No. 5, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 41, House at Bristol, 1838. Creator: John Sell Cotman (British, 1782-1842)

Liber Studiorum: Plate 41, House at Bristol, 1838. Creator: John Sell Cotman (British, 1782-1842)
Liber Studiorum: Plate 41, House at Bristol, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 3, Trees near Twickenham, 1838. Creator: John Sell Cotman (British

Liber Studiorum: Plate 3, Trees near Twickenham, 1838. Creator: John Sell Cotman (British
Liber Studiorum: Plate 3, Trees near Twickenham, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 20, Felbrigg Heath, Norfolk, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 20, Felbrigg Heath, Norfolk, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 20, Felbrigg Heath, Norfolk, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 38, View at Deptford, 1838. Creator: John Sell Cotman (British, 1782-1842)

Liber Studiorum: Plate 38, View at Deptford, 1838. Creator: John Sell Cotman (British, 1782-1842)
Liber Studiorum: Plate 38, View at Deptford, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 27, Kilgarren Castle, N. Wales, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 27, Kilgarren Castle, N. Wales, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 27, Kilgarren Castle, N. Wales, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 2, View of Clifton, 1838. Creator: John Sell Cotman (British, 1782-1842)

Liber Studiorum: Plate 2, View of Clifton, 1838. Creator: John Sell Cotman (British, 1782-1842)
Liber Studiorum: Plate 2, View of Clifton, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 36, Church near Durham, 1838. Creator: John Sell Cotman (British

Liber Studiorum: Plate 36, Church near Durham, 1838. Creator: John Sell Cotman (British
Liber Studiorum: Plate 36, Church near Durham, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 22, Whitby, 1838. Creator: John Sell Cotman (British, 1782-1842)

Liber Studiorum: Plate 22, Whitby, 1838. Creator: John Sell Cotman (British, 1782-1842)
Liber Studiorum: Plate 22, Whitby, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 19, Postwick Grove, Norfolk, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 19, Postwick Grove, Norfolk, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 19, Postwick Grove, Norfolk, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 18, Trees at Norwich Thorp, Norfolk, 1838. Creator: John Sell Cotman

Liber Studiorum: Plate 18, Trees at Norwich Thorp, Norfolk, 1838. Creator: John Sell Cotman
Liber Studiorum: Plate 18, Trees at Norwich Thorp, Norfolk, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 7, Postwick Grove, Norfolk, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 7, Postwick Grove, Norfolk, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 7, Postwick Grove, Norfolk, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 5, Walsingham, Norfolk, 1838. Creator: John Sell Cotman (British

Liber Studiorum: Plate 5, Walsingham, Norfolk, 1838. Creator: John Sell Cotman (British
Liber Studiorum: Plate 5, Walsingham, Norfolk, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 35, Wenlock Priory, Salop, 1838. Creator: John Sell Cotman (British

Liber Studiorum: Plate 35, Wenlock Priory, Salop, 1838. Creator: John Sell Cotman (British
Liber Studiorum: Plate 35, Wenlock Priory, Salop, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 24, Ragland Castle, Monmouthshire, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 24, Ragland Castle, Monmouthshire, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 24, Ragland Castle, Monmouthshire, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 47, A Study, 1838. Creator: John Sell Cotman (British, 1782-1842)

Liber Studiorum: Plate 47, A Study, 1838. Creator: John Sell Cotman (British, 1782-1842)
Liber Studiorum: Plate 47, A Study, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 16, A Study, 1838. Creator: John Sell Cotman (British, 1782-1842)

Liber Studiorum: Plate 16, A Study, 1838. Creator: John Sell Cotman (British, 1782-1842)
Liber Studiorum: Plate 16, A Study, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 43, A Norfolk Plough, 1814. Creator: John Sell Cotman (British, 1782-1842)

Liber Studiorum: Plate 43, A Norfolk Plough, 1814. Creator: John Sell Cotman (British, 1782-1842)
Liber Studiorum: Plate 43, A Norfolk Plough, 1814

Background imageSoftground Etching Collection: Liber Studiorum: Plate 29, Harlech Castle, N. Wales, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 29, Harlech Castle, N. Wales, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 29, Harlech Castle, N. Wales, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 11: Parsons Bridge, Cardingshire, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 11: Parsons Bridge, Cardingshire, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 11: Parsons Bridge, Cardingshire, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 10, The Devils Bridge, Cardinganshire, 1838. Creator: John Sell Cotman

Liber Studiorum: Plate 10, The Devils Bridge, Cardinganshire, 1838. Creator: John Sell Cotman
Liber Studiorum: Plate 10, The Devils Bridge, Cardinganshire, 1838

Background imageSoftground Etching Collection: Liber Studiorum; Frontispiece, View of a Garden House on the Banks of the River Yare, 1838

Liber Studiorum; Frontispiece, View of a Garden House on the Banks of the River Yare, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 9, A Study, 1838. Creator: John Sell Cotman (British, 1782-1842)

Liber Studiorum: Plate 9, A Study, 1838. Creator: John Sell Cotman (British, 1782-1842)
Liber Studiorum: Plate 9, A Study, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 8, Millbank on the Thames, 1838. Creator: John Sell Cotman (British

Liber Studiorum: Plate 8, Millbank on the Thames, 1838. Creator: John Sell Cotman (British
Liber Studiorum: Plate 8, Millbank on the Thames, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 6, The Judgment of Midas, 1838. Creator: John Sell Cotman (British

Liber Studiorum: Plate 6, The Judgment of Midas, 1838. Creator: John Sell Cotman (British
Liber Studiorum: Plate 6, The Judgment of Midas, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 46, Sketch after Teniers, 1838. Creator: John Sell Cotman (British

Liber Studiorum: Plate 46, Sketch after Teniers, 1838. Creator: John Sell Cotman (British
Liber Studiorum: Plate 46, Sketch after Teniers, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 45, French Beggars, 1838. Creator: John Sell Cotman (British, 1782-1842)

Liber Studiorum: Plate 45, French Beggars, 1838. Creator: John Sell Cotman (British, 1782-1842)
Liber Studiorum: Plate 45, French Beggars, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 44, Sketch after Rembrandt, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 44, Sketch after Rembrandt, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 44, Sketch after Rembrandt, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 42, Capel Carrig, Caernarvonshire, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 42, Capel Carrig, Caernarvonshire, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 42, Capel Carrig, Caernarvonshire, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 40, Lakenham, near Norwich, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 40, Lakenham, near Norwich, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 40, Lakenham, near Norwich, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 39, View at Ashdted, Surrey, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 39, View at Ashdted, Surrey, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 39, View at Ashdted, Surrey, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 4, View on the Yare, Norfolk, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 4, View on the Yare, Norfolk, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 4, View on the Yare, Norfolk, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 37, A Study, 1838. Creator: John Sell Cotman (British, 1782-1842)

Liber Studiorum: Plate 37, A Study, 1838. Creator: John Sell Cotman (British, 1782-1842)
Liber Studiorum: Plate 37, A Study, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 34, Llanathony Abbey, Monmouthshire, 1838. Creator: John Sell Cotman

Liber Studiorum: Plate 34, Llanathony Abbey, Monmouthshire, 1838. Creator: John Sell Cotman
Liber Studiorum: Plate 34, Llanathony Abbey, Monmouthshire, 1838

Background imageSoftground Etching Collection: Liber Studiorum: Plate 33, Conway Castle, N. Wales, 1838. Creator: John Sell Cotman (British)

Liber Studiorum: Plate 33, Conway Castle, N. Wales, 1838. Creator: John Sell Cotman (British)
Liber Studiorum: Plate 33, Conway Castle, N. Wales, 1838



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Softground etching is a versatile and captivating artistic technique that has been employed by various renowned artists throughout history. One such artist, Mary Cassatt, utilized this method to create stunning pieces like "The Lamp" (1890-1891). In this artwork, Cassatt's delicate touch brings forth the warm glow of a lamp illuminating a room, evoking a sense of intimacy and tranquility. Another master was Camille Pissarro, who showcased his talent in "The Woods at L'Hermitage" (1879). Through intricate lines and subtle tonal variations, Pissarro captured the serene beauty of nature as sunlight filters through the trees. The result is an enchanting scene that transports viewers to the peacefulness of the forest. While both Cassatt and Pissarro excelled in softground etching, it was Edgar Degas who introduced Mary Cassatt to this technique during their time together at the Louvre. Degas himself created remarkable softground etchings such as "Mary Cassatt at the Louvre: The Paintings Gallery" (1879-1880) and "Mary Cassatt at the Louvre: The Etruscan Gallery" (1879-1880). These works not only showcase Degas' mastery but also highlight his admiration for his fellow artist. Looking further back in history, we find British artist John Sell Cotman utilizing softground etching in his series called Liber Studiorum. Plates like "Conway Castle, " "View in North Wales, " and "A Study" all display Cotman's skillful use of line work to capture different landscapes with precision and depth. Each plate invites viewers into picturesque scenes filled with architectural wonders or breathtaking natural vistas and has been embraced by talented artists from various backgrounds throughout history.