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Lib IV Tabula III Adriani Spigelii Bruxellensis

Lib IV Tabula III Adriani Spigelii Bruxellensis


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Liszt Collection

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Lib IV Tabula III Adriani Spigelii Bruxellensis

Lib. IV, Tabula III, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare, 1581-1626, Bucretius, Daniel, d. 1631, Fialetti, Odoardo, 1573-1626, Harvey, William, 1578-1657, Spiegel, Adriaan van de, 1578-1625, Valesio, Francesco, b. ca. 1560, Walaeus, Johannes, 1604-1649, van der Linden, Johannes, 1609-1664, Engraving, 1645, Plate 3, page 35

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18507396

© Liszt Collection

1560 1578 1625 1578 1657 1581 1626 1604 1649 1609 1664 1631 1645 Adriaan Van Adriani Spigelii Anatomiae Aselli Bruxellensis Bucretius Chirurgiae Daniel Equitis Extant Fialetti Francesco Gaspare Harvey Johannes Linden Marci Odoardo Olim Omnia Opera Patavino Gymnasio Plate 3 Primarii Professoris Quae Spiegel Valesio Van Der Walaeus William


EDITORS COMMENTS
This print showcases a historical engraving titled "Lib IV Tabula III Adriani Spigelii Bruxellensis". Created in 1645, this exquisite piece of art is part of the renowned Liszt Collection. The engraving was included in the book "Opera quae extant, omnia" by various esteemed individuals such as Aselli Gaspare (1581-1626), Bucretius Daniel (d. 1631), Fialetti Odoardo (1573-1626), Harvey William (1578-1657), Spiegel Adriaan van de (1578-1625), Valesio Francesco (b. ca. 1560), Walaeus Johannes (1604-1649), and van der Linden Johannes (1609-1664). The intricate details depicted on Plate 3, found on page 35 of this remarkable publication, offer a glimpse into the world of anatomy and surgery during that era. It highlights the expertise and knowledge of Professor Adriani Spigelii from Brussels, who held a prestigious position at Patavino Gymnasium. Through this engraving, viewers can appreciate the dedication and skill required to study human anatomy in such depth centuries ago. The composition beautifully captures anatomical structures with precision and accuracy. As an important artifact from medical history, this print serves as a reminder of how far we have come in understanding the complexities of our own bodies. It stands as a testament to the tire

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